Musical Myths and Facts, Volume 2 (of 2) — John Shaqi
Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
Il y a quelque tems que j'ai recu une de vos obligeantes lettres;
mais a present je vien de recevoir votre derniere avec votre ouvrage.
Je vous en remercie, Monsieur, et je vous assure que j'ai toute
l'estime pour votre merite, je souhaiterois seulement que mes
circonstances m'etaient plus favorables pour vous donner des marques
de mon inclination a vous servir. L'ouvrage est digne de l'attention
des connoisseurs, et quand a moi, je vous rends justice.
Au reste, pour rammasser quelque epoque, il m'est impossible
puisqu'une continuelle application au service de cette cour et
noblesse me detourne de toute autre affaire.
Je suis, avec une consideration tres parfaite, etc."
Handel was at this period in circumstances by no means flourishing, his
operatic enterprises having failed. Mattheson's request came therefore
at a very inopportune time, since it would have been only painful to
Handel to occupy his mind with recollections of events of his earlier
life, and with the record of expectations which he now found were not to
be realized.
It is singular that almost all Handel's letters to Germans which have
been preserved, including those to his brother-in-law in Halle, are
written in French. Besides, they are so extremely formal and
ceremonious, even those to his nearest relations! This may be in great
measure accounted for by the usages of his time, and by the circumstance
of his coming frequently into contact with persons of a higher position
in society than himself. But, however reserved he may appear in his
letters, evidences are not wanting testifying to his kindheartedness and
generosity.
When Mattheson found that it was useless to endeavour to elicit
information direct from Handel for his 'Ehrenpforte,' he compiled a
biography interspersed with recollections of their mutual experiences
during the years of their intercourse in Hamburg. The following extracts
from Mattheson's gossip are translated as literally as possible:--
"In the summer of the year 1703 he came to Hamburg, rich in abilities
and good intentions. I was almost the first acquaintance he made, and I
took him to the organs and choirs of the town, and to operas and
concerts. I also introduced him to a certain family where all were
extremely devoted to music."
In another place Mattheson records that he made Handel's acquaintance
accidentally at the organ of the church of St. Mary Magdalen, and that
he took him at once with him to his father's house, and paid him every
possible attention. Mattheson further relates:--
Public-domain text, read in full here on John Shaqi.
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