Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
jumping over him, and pawing him about, and rolling him in every
direction. In this wise the strange operation proceeded for half an hour
to the surprise of a numerous and death-like silent audience, until the
man died; and the medicine-man danced off to his quarters, and packed
up, tied and secured from the sight of the world his mystery dress and
equipments."[43] Should the exhausted patient unaccountably recover
after such a ceremony, the lucky medicine-man will be seen for several
days after the event on the top of a wigwam, extending his right arm,
waving it to the gaping multitude, and boasting of his skill.
With the Indian tribes in Columbia and Vancouver Island the
medicine-man, although he may become of great importance if he is
clever, is liable to be put to death if he fails to cure his patient; it
being presumed that he possesses the power, but not the wish, to cure. A
strange procedure of one of these fellows in trying to cure a female who
lay dangerously ill, was witnessed by an Englishman, who has given a
circumstantial description of it, from which the following extract will
suffice:--
"Towards night the doctor came, bringing with him his own and another
family to assist in the ceremony. After they had eaten supper, the
centre of the lodge was cleared and fresh sand strewed upon it. A bright
fire of dry wood was then kindled, and a brilliant light kept up by
occasionally throwing oil upon it. I considered this a species of
incense offered, as the same light would have been produced, if desired,
by a quantity of pitch-knots which were lying in the corner. The
patient, well wrapped in blankets, was laid on her back, with her head a
little elevated, and her hands crossed on her breast. The doctor knelt
at her feet, and commenced singing a song, the subject of which was an
address to the dead, asking them why they had come to take his friend
and mother, and begged them to go away and leave her. The rest of the
people then sung the chorus in a low, mournful chant, keeping time by
knocking on the roof with long wands they held.... As the performance
proceeded, the doctor became more and more excited, singing loudly and
violently, with great gesticulation, and occasionally making passes with
his hand over the face and person of the patient, similar to those made
by mesmeric manipulators."[44]
Public-domain text, read in full here on John Shaqi.
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