Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
Likewise, in a cure effected in the case of a sick lad of the Wallawalla
Indians, Columbia river, which Mr. Drayton witnessed, there appears to
have been a kind of mesmerism used in combination with music. This case
is also noteworthy inasmuch as it shows that the Indians have female
physicians. The lad was lying on his back in a lodge and appeared to be
in a dying state. Over him stood an old haggard-looking squaw, who was
singing in great excitement, while about a dozen men and boys were
accompanying her with their voices in a sort of chorus, the rhythmical
effect of which they increased by striking sticks together at regular
intervals. The music thus produced sounded unearthly to the foreign
bystander. The squaw was all the time very busy about the lad, now
bending over him and making all kinds of grimaces, and now baring his
chest and pretending by her actions to be scooping out his disease, and
now again falling on her knees before him and striving to draw out the
evil spirit with both her hands. She blew into her hands and then moved
them over the patient in a peculiar manner as if she were tossing the
noxious spirit away into the air. Then again she would blow with her
mouth on his neck downwards, making a quick sputtering noise; and at
last she began to suck his neck and chest in different parts. Whatever
may be thought of this operation, the boy certainly soon got better.
Moreover, our informant concludes his account of the occurrence with the
statement: "One singular custom prevailing here (with the Indians of
Wallawalla) is that all the convalescents are directed to sing for
several hours during the day."[45]
The Indian tribes in Guiana have mystery-men, called Piatzas, or Piaies,
who constitute a powerful priesthood. In their incantations they use
rattles, and also drums and bells. When a person suffering from a
protracted illness finds the commonly-used medicines of no avail, his
refuge is to the Piatza, to induce him to drive out the evil spirit that
must be the cause of the mischief. The Piatza carries the patient into
the nearest forest, and having fastened his hammock to some tree across
a pass, he commences the incantations, which he accompanies with the
noise of his rattle. The rattle consists of a calabash partly filled
with small pebbles. During his incantations no one is permitted to
witness what he is doing, even the patient being enjoined to close his
eyes and to keep them shut until the end of the ceremony. The Piatza
draws a circle round the sick person and addresses the evil spirit.[46]
Public-domain text, read in full here on John Shaqi.
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