Other of his compositions are: "Das Klagende Lied," for soli, chorus, and orchestra; "Das Lied von der Erde," for soli, and orchestra; "Kindertotenlieder," with orchestral accompaniment; "Lieder einer fahrenden Gesellen," with orchestral accompaniment; "Des Knaben Wunderhorn," twelve songs. REGER Max Reger was born in Brand, Bavaria, March 19th, 1873. His father was school-teacher at Weiden in the Palatinate, and Reger, it was hoped, would follow his profession. However, the musical profession prevailed. Reger studied with Riemann from 1890 to 1895. At first he decided to perfect himself as a pianist. Later, composition and organ-playing absorbed him. He was made professor of counterpoint in the Royal Academy in Munich in 1905. In 1907 he was made musical director of the University of Leipzig and professor of composition at the Leipzig Conservatory. From 1911 until his death he was Hofkepellmeister at Meiningen. He died in Jena, May 11th, 1916. His works for orchestra include: "Sinfonietta," Opus 90; "Serenade," Opus 95; "Hiller-Variations," Opus 100; "Symphonic Prologue," Opus 120; "Lustspielouvertuere," Opus 123; "Konzert in Alten Stiel," Opus 125; "Romantische Suite," Opus 128; "Vier Tondichtungen nach Boecklin," Opus 130; "Ballet-Suite," Opus 132; "Mozart-Variations," Opus 140; "Violin-concerto," Opus 101; "Piano-concerto," Opus 114. His works for chorus include: "Gesang der Verklaerten," Opus 71; "Psalm 100," Opus 106; "Die Nonnen," Opus 112. His chamber-works include: String-sextet, Opus 118; Pianoforte-quintet, Opus 64; Pianoforte-quartet, Opus 113; Five string-quartets, Opera 54, 74, 109, 121; Serenade for flute, violin and viola, Opus 77a; Trio for flute, violin and viola, Opus 76b; Nine violin sonatas, Opera 1, 3, 41, 72, 84, 103b, 122, 139; Four 'cello sonatas, Opera 5, 28, 71, 116; Three clarinet sonatas, Opera 49, 197; Four sonatas for violin solo, Opus 42. His organ compositions include: Suite, Opus 16; Fantasy, Opus 27; Fantasy and fugue, Opus 29; Fantasy, Opus 20; Sonata, Opus 33; Two fantasies, Opus 40; Fantasy and fugue, Opus 46; The fantasies, Opus 52; Symphonic fantasy and fugue, Opus 57; Sonata, Opus 60; Fifty-two preludes, Opus 67; Variations and fugue, Opus 73; Suite, Opus 92; Intermezzo, passacaglia and fugue, Opus 127. His pianoforte works include: Aquarellen, Opus 25; Variations and fugue, Opus 81; "Aus Meinem Tagebuch," Opus 82; Two sonatinas, Opus 89. He wrote over three hundred songs. SCHOENBERG