Burney, Charles, 1726-1814 -- Parodies, imitations, etc.
I did not hesitate a moment to comply with the customary _etiquette_,
but stripping myself to the shirt, I crept into the room with the same
awful silence with which the antient priests approached the Tripod of
their God. Having posted myself behind a large screen, I beheld the
Signor extended on his belly, while two young and beautiful ladies were
gently stroaking his back with the palms of their hands. He lay for
some minutes pensive and silent, as if waiting for the inspirations of
the divinity. At length, on a sudden, “his eyes were fixt, his underlip
fell, and drops of effervescence distilled from his whole countenance.”
Immediately explosions of the most musical intonation I had ever heard,
issued from behind, and enraptured the whole company. After this,
he successively coughed, sneezed, hiccuped, eructated, squeaked and
whistled in the most harmonious manner that can be conceived. “Thank
heaven,” cried the Signor, “my powers of harmony are yet undiminished:
I shall still live to bless the world, and polish this brutal nation.”
Saying this, he took up his fiddle, and played a most divine solo. I
heard him for some time in silent ecstacy, ’till at length incapable
of suppressing my emotions any longer, I precipitated myself into
his arms, crying or rather blubbering out in imitation of the great
_Cassarelli_, _Bravo! bravissimo! Manselli, è Collioni che ti lo dice_.
The Signor seemed somewhat surprized at my abrupt introduction, but at
length, recollecting himself, he received me with ineffable politeness.
The ladies at my appearance, had shrieked, and left the room, which in
the first hurry of our embraces we had not perceived. But presently the
Signor, glancing his eye downwards, recollected himself, and said with
some warmth and emphasis, “O, fye, Signor _Collioni_, I took it for
granted you were one of US.” I blushed at the imputation, and said, “I
hoped this defect would not lessen me in his esteem, as my country was
not yet sufficiently civilized to have adopted the custom; and though
some of our prime nobility had the spirit and taste to lead the way,
yet in the gross conceptions of the _English_, there was a certain
degree of ridicule annexed to it, which deterred several men otherwise
of the most exquisite politeness from submitting to it.” The Signor
was kind enough to admit my excuses, but lamented this as the greatest
obstacle to the national advancement in the science of music. However,
he averred that several _English_ young noblemen of fortune had to his
knowledge undergone the operation in _Italy_, “and though,” added he,
“an ordinary proficient may be exempted from the practice, yet it is
indispensibly necessary for one who would fathom all the mysteries of
the art, and emulate the illustrious names of _Senesino_, _Farinelli_,
_Tenducci_, &c.”
I confess I was much staggered at what he said, more especially as I
began to entertain some doubts myself whether the characters of a man
and a musician were at all compatible.
Public-domain text, read in full here on John Shaqi.
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