My Actor-Husband: A true story of American stage life — John Shaqi
My Actor-Husband: A true story of American stage lifeAnonymous
General
My Actor-Husband: A true story of American stage life
Anonymous
Actors -- Fiction; Married people -- Fiction; Theater -- Moral and ethical aspects -- Fiction
On the way back to New York, Will and I sat hand in hand looking out at
the monotonous stretch of desert-land. "I'm glad to have it over--I'm
glad that's out of our life," he reiterated, pressing my hand. "It was
rotten!" Suddenly he burst out laughing. He continued long and
sonorously. "Do you know, girlie," he said, "do you know that with a
little more fullness of figure and a pair of two-inch heels, you'd make
a grand Lady Macbeth? Phew!" and he laughed again.
CHAPTER IV
The question of bearing children had given me many a bad hour. My
husband felt that the coming of a child, at the outset of his career,
would be a burden and a handicap; once he was established and could
afford to maintain a home, it would be time enough, he declared. He felt
that, at best, children born and reared in the theatrical profession
were the victims of unnatural conditions. It was not practicable to
carry a young child about the country, and, if left behind, to the care
of either relatives or hired attendants, the child was robbed of its
natural protection. Obviously I must make up my mind to separate from
one or the other--my child or my husband--until the little one was old
enough to travel.
Here arose another knotty problem. Children are little human sponges;
they absorb the atmosphere of their environment. A stage-child is no
more immune to the vicious influences about it than to a scarlet-fever
germ. Should I then be willing to expose my child to dangers of more
far-reaching consequences than physical ailments, and at a time of life
when character is formed? My husband and I discussed these problems at
length, and finally concluded that, since the inevitable had happened,
the wisest course was to make the best of it. How many children, I
wonder, are conceived in the same spirit? How many births the result of
accident? How few planned with the wish to bestow the best of one's
flesh and spirit upon the little stranger? Can the influence of
unwelcome conception upon the child itself ever be computed? May not
criminal tendencies and moral delinquencies be traced to such a source?
If, at the beginning, I were guilty of misdirected sentiment, I set
myself to right the wrong as the weeks grew into months. I no longer
chafed at separation; I lived in a kind of spiritual exaltation. My
plans and dreams of the future were now transferred to the coming of my
child.
Will was so fortunate as to secure another engagement almost
immediately. His success led to the opportunity he most desired, and in
the early autumn he played his first engagement as leading man of a New
York production. The Company opened out of town; in theatrical parlance
this is what they call "trying it on the dog."
Public-domain text, read in full here on John Shaqi.
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