My Actor-Husband: A true story of American stage lifeAnonymous
General
My Actor-Husband: A true story of American stage life
Anonymous
Actors -- Fiction; Married people -- Fiction; Theater -- Moral and ethical aspects -- Fiction
I caught my breath. Mental arithmetic failed me. Will had told me before
leaving New York that we were "playing pretty close to the cushion," and
I knew what that meant. If Will noticed my perturbation he evinced no
sign, but went on in the same enthusiastic vein. "Pa and Ma talked it
over again, 'If Ma ain't lost her taste for visiting Brooklyn,'--Ma
hadn't, but she wanted a week to get ready. Pa said he could pack all he
wanted in a paper bag. I said I must have the place at once or not at
all--and--here we are." I was not surprised at our sudden change of
base. Will always acted on the impulse of the moment.
When Will went down to pay our hotel bill it was lunch-time. Nearly all
the cottagers in the Park had assembled. Much regret was expressed at
our desertion of the Inn. (I quite understood that "our" was a mere form
of courtesy, inasmuch as I was looked upon as only an appendage hitched
to a star.) Will laid our desertion to the Boy. "He needs a cow," he
explained blandly to a group of admirers. "A child of his age needs one
brand of milk. One can't be too careful in hot weather, you know," and
Will's whole bearing portrayed paternal solicitude. The farm wagon
arrived opportunely. Will winked at me. He had told me that he was
"side-stepping" the lunch of dried lima beans and creamed cod-fish. "I
wanted to do it gracefully, of course. They are all nice people and it's
good business. That's the kind of thing that gives an actor his
following; just the same I'm glad to get away and relax. This being
always on parade--! They simply won't concede an actor any privacy. They
won't let you be natural. They expect you to act 'on' and 'off.'"
It was a long and bumpy drive to the farm. We could have walked it in a
third of the time by cutting 'cross country. The poor old horse driven
by Aaih, the farm hand, looked moth-eaten and worn. It hurt my
conscience to add to his burden, so Will and I climbed down and walked
the rest of the way. Will, carrying Boy first on his shoulder and then
on his back, reminded me of pictures I had seen of early settlers making
their way through the wilds in search of a home. Once in every little
while Will would burst forth in a lusty halloa which made the welkin
ring. "Halloa" came back from the echoing hills. Even Boy saluted the
great god Pan. There was an exhilaration in the air which made one glad
to be alive.
Public-domain text, read in full here on John Shaqi.
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