My Actor-Husband: A true story of American stage lifeAnonymous
General
My Actor-Husband: A true story of American stage life
Anonymous
Actors -- Fiction; Married people -- Fiction; Theater -- Moral and ethical aspects -- Fiction
Owing to the shortage in our money supply, we had decided to go to a
theatrical boarding house. Will was depending on his father to send him
an allowance throughout the summer, and while it would be sufficient for
his needs, now that he was married--well, we should have a chance to
test the saying that two can live as cheaply as one. Our marriage had
been a secret one--besides the "star" and one or two members of the
company, we had taken no one into our confidence. Will's family--his
father, a sister and brother--his mother having died about the time I
came into his life--all were intolerant of the stage and its people.
Though I was not yet a "really truly" actress, the fact that Will had
met me "in the profession" would have prejudiced them against me; added
to this was the fact that Will, himself a tyro, taking a wife at the
very threshold of his career would not be looked at through our
love-coloured glasses. The effect my marriage might have upon my own
relatives never troubled me; my father and mother belonged to that great
class of incompetent parenthood which brings children into the world
without any actual love for them. Never questioning their fitness for
child-rearing, they divine no greater responsibility than providing
bodily necessities and a more or less superficial education. When, at
the restless age of sixteen, I announced my determination to become an
actress, there was some surface opposition, but no effort was made to
enquire into my fitness for the dramatic profession, or the fitness of
the dramatic profession as a career for any innocent and unprotected
young girl. I had been highly successful as an amateur, and, as it was
not necessary that I earn my own living, the stage appeared to their
insapient minds an interesting playground for a dilettante daughter....
One week in a theatrical boarding-house was all we could endure. I
wonder why it is that the rank and file of the theatrical profession are
at such pains to impress one another with their importance. The flippant
familiarity with which they referred to "Charley" or "Dan" Frohman; the
coarse criticism of their fellow-actors, which Will called "knocking";
their easy disregard of the conventions, especially between the sexes; a
bombastic retailing of their own exploits, as "how I jumped on and saved
the show, with only one rehearsal"; talking "shop" to the exclusion of
every other subject in the world. I overheard one of the actresses at
the next table say we were "very up-stage," which Will interpreted as
"not sociable, and having too good an opinion of one's self." Neither of
us was happy in our new surroundings, and I felt a sense of relief when
Will suggested that we look for a furnished flat. I did not mean to be
critical of my husband's profession--I endeavored to agree with him that
every profession has its undesirables.
Public-domain text, read in full here on John Shaqi.
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