The train was awful. At last I have something to complain of! How the luxurious, pampered American can stand his night travelling car is a wonderment to me. Here at last is something they might copy from Europe. In England, France, and Italy, it is far more comfortable. My night is indescribable. The bed behind a curtain is all one gets, not a square foot of privacy to stand up and undress in. I had to struggle out of my clothes as I sat or lay on my bed. Then, whenever anyone passed down the car (and they did pass), they brushed my curtains which parted enough (in spite of being buttoned), to let in a streak of electric light that waked me. Moreover, people passed down the car whistling, and at an early hour in the morning, when the stars were still in the heavens, passengers who were about to alight at the next stop got together and talked loudly, ... not a wink of sleep could I get while two men discussed business matters. Weary as I was, sleep could not combat the conditions. FRIDAY, FEBRUARY 18, 1921. _New York._ A weary wreck, I arrived at midday at New York, and to my surprise and joy, Hugo Koehler had brought Dick to meet me at the station. I then went up to the Numesmatic Society, where I found my exhibition all arranged, and ready to open at two o’clock. Some press people were already there. Very little re-arranging had to be done. The “Numesmatic” staff must have worked like super-men. Mr. Bertelli, the bronze founder, had retouched the pattines and done wonders. I was delighted. It is very thrilling to see one’s own exhibition-- SATURDAY, FEBRUARY 19, 1921. Hugo and I went to lunch with Mrs. Harry Payne Whitney at her studio. I sat next to Mr. Bob Chanler, whom I hadn’t met before. He has the head of a great French savant, and a voice like the roar of a bull. He was once married to Cavalieri! On my other side, Mr. Childe Hassam, the painter; opposite Mr. ---- and Jo Davidson. There were lots of people I didn’t know, and among them I met a Sheridan cousin called Pittman. Good looking and nice, I was glad to claim him. Paul Manship came in afterwards, he and I and Davidson and Bob Chanler, unable to bear the noise or the absence of air, at the end of lunch went upstairs to the studio and danced to the gramaphone. Mr. Chanler, rather mad, and attractive accordingly, kissed me in a moment of expansion! That is very American. They may kiss in public,----! After lunch Ruth Draper did some imitations. It is pure genius. It was difficult to drag oneself away from such an attractive party. I like Mrs. Whitney and her breakaway from the conventions. She seems to achieve the real Bohemian spirit. I remember John Noble telling me about her years ago--she is the fairy godmother of struggling artists.