Having deposited Dick in New York, and having had a second inoculation for typhoid (preparatory for Mexico) and feeling quite ill, I returned to Philadelphia on Tuesday. The place is becoming almost familiar to me. It is not unlike an English old-world town, there are parts of it that recall Winchester, or even remote bits of London. I have come to work. When I was here last someone commissioned me to do her husband. “If you can get him to sit for you,” she said. I have got him. It is true he made every effort to evade me, to escape me, to postpone me. But I was determined not to be beat, and I gave him no loophole. Dr. Tait McKenzie has lent me his studio, and my victim comes there every morning from 11 to 1. He says he hates it, and he arrives protesting and resentful. But I like him, and we talk quite pleasantly all the time without stopping. I think he resents it less than he imagines. He has a good head, typically American. When I get back in the afternoon to my friends in the Chilten Hills, where I am staying, I work in the loggia, on the portrait of their little daughter. She is the same age as my Margaret, and makes me feel rather homesick. To-morrow I return to New York, my work completed. SUNDAY, MAY 29, 1921. _New York._ Dick and I with Kenneth, caught an 11:30 train for Croton. We lunched with Crystal Eastman and her husband, Walter Fuller, in a roadside cottage surrounded by roses. It was real country and, luxuriantly green, with the fresh immaturity of impending summer. In the orchard on the steep grassy hill behind the house the children climbed a cherry tree, and Dick brought me greenleafed branches hanging with ripe sweet cherries. After lunch we walked up the road to see the view from the top of the hill. There is a sort of Colony at Croton, and every other house is inhabited by someone one knows, or who knows the other. All work-worn journalists, artists and Bohemians generally, who come there with their children for a rest. The houses have no gardens, the grass grows long and the rose bushes are weed tangled. Now and then a bunch of peonies survives. The cottages have almost an abandoned look, for the town toilers are too weary to work in their gardens when they get there. Towards the hill summit I noticed a wooden veranda’d cottage, looking rather neglected and lonely, the ground sloped down to a stream where some yellow and some purple iris bloomed amid the waste. On the post box at the gate were inscribed the two names: Reed, Bryant, and sure enough it was the summer cottage of Jack Reed and his wife. My thoughts shot straight across to Moscow, and to the grave under the Kremlin wall. At the top of the hill we lay down in the long grass under the shadow of a giant tree, and felt like insects, with the butter-cups so much higher than ourselves, and the tall seed grasses like slender trees above our heads. Dick, who was unrestful, and looking for work, built a wall of loose stones between us, “to separate