My Autobiography: A FragmentMüller, F. Max (Friedrich Max)
Religion
My Autobiography: A Fragment
Müller, F. Max (Friedrich Max)
Asianists -- Germany -- Biography; Müller, F. Max (Friedrich Max), 1823-1900
What a blessing it would be if such a rule were followed with all
great men, who seem so great at the time of their death, and who, a
hundred years later, are almost forgotten, or at all events
appreciated by a small number of admirers only. This Monument- and
Society-mania is indeed becoming very objectionable, for if for some
time there has been no room for tombs and statues in Westminster
Abbey, there will soon be no room for them in the streets of London.
The result is that many of the people who walk along the Thames
Embankment, particularly foreigners, often ask, “Cur?” when looking at
the human idols in bronze and marble put up there; while historians,
remembering the really great men of England, would ask quite as often,
“Cur non?” There is a curious race of people, who, as soon as a man of
any note dies, are ready to found anything for him—a monument, a
picture, a school, a prize, a society—to keep alive his memory. Of
course these societies want presidents, members of council,
committees, secretaries, &c., and at last, subscriptions also. Thus it
has happened that the name of founder (_Gründer_) has assumed,
particularly in Germany, a perfume by no means sweet. Those who are
asked to subscribe to such testimonials know how disagreeable it is to
decline to give at least their name, deeply as they feel that in
giving it they are offending against all the rules of historical
perspective. I should not say that my father was one of the great
poets of Germany, though Heine, no mean critic, declared that he
placed his lyric poetry next to that of Goethe. Besides, he was barely
thirty-three when he died. He had been a favourite pupil of F. A.
Wolf, and had proved his classical scholarship by his _Homerische
Vorschule_, and other publications. His poems became popular in the
true sense of the word, and there are some which the people in the
street sing even now without being aware of the name of their author.
Schubert’s compositions also have contributed much to the wide
popularity of his _Schöne Müllerin_ and his _Winterreise_, so that
though it might truly be said of him that he wanted no monument in
bronze or stone, it seemed but natural that a small town like Dessau
should wish to honour itself by honouring the memory of one of its
sons. In the company of Mendelssohn, the philosopher, and of F.
Schneider, the composer, a monument of my father in the principal
street of his native town, and before the school in which he had been
a pupil and a teacher, could hardly seem out of place. That the Greek
Parliament voted the Pentelican marble for the poet of the
_Griechenlieder_, as it had done for Lord Byron, was another
inducement for his fellow citizens to do honour to their honoured
poet. He died when I was hardly four years old, so that my
recollection of him is very faint and vague, made up, I believe, to a
great extent, of pictures, and things that my mother told me. I seem
to remember him as a bright, sunny, and thoroughly joyful man,
Public-domain text, read in full here on John Shaqi.
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