My Contemporaries In FictionMurray, David Christie
History
My Contemporaries In Fiction
Murray, David Christie
English fiction -- 19th century -- History and criticism
Through scorn and discouragement and contumely
he polishes his treasure, in painful hours snatched from distasteful
labour, and at last he brings it where it can be seen and known for what
it is.*
* I learn, on the very best authority, that Mr. Kipling
regards his early and unrecognised days in India with much
kindlier eyes than this would seem to indicate. It may be
thought that, knowing this, I should amend or delete the
passage. I let it stand, however, with this note as a
qualification, because I think it possible that he, like the
rest of us, looks on the past through tinted spectacles.
It is only genius which owns the seeing eye. There are in Great Britain
to-day a dozen writers of fine faculty, trained to observe, trained
to give to observation its fullest artistic result; and they are all
panting for something new. The something new is under their noses. They
see it and touch it every day. If I could find it, my name in a year
would sail over the seas, and I should be a great personage. But I
shall not find it. None of the men who are now known will find it. It is
always the unknown man who makes that sort of discovery. He will come in
time, and when he comes we shall wonder and admire, and say: ‘How new!
How true!’ Why, in that very matter of Tommy Atkins, whose manifold
portraits have done as much as anything to endear Kipling to the English
people--it is known to many that in my own foolish youth I enlisted in
the Army. I lived with Tommy. I fought and chaffed and drank and drilled
and marched, and went ‘up tahn’ with him, and did pack drill, and had
C.B. with him. I turned novel-writer afterwards, and never so much as
dreamt of giving Tommy a place in my pages. Then comes Kipling, not
knowing him one-half as well in one way, and knowing him a thousand
times better in another way, and makes a noble and beautiful and merited
reputation out of him; shows the man inside the military toggery, and
makes us laugh and cry, and exult with feeling. There was a man in New
South Wales--a shepherd--who went raving mad when he learnt that the
heavy black dust which spoilt his pasture was tin, and that he had waked
and slept for years without discovering the gigantic fortune which was
all about him. I will not go mad, if I can help it, but I do think it
rather hard lines on me that I hadn’t the simple genius to see what lay
in Tommy.
Public-domain text, read in full here on John Shaqi.
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