My Contemporaries In FictionMurray, David Christie
History
My Contemporaries In Fiction
Murray, David Christie
English fiction -- 19th century -- History and criticism
Was there ever a piece of sentiment cheaper, falser, more tawdry?
Who applauds a man for not turning his old mother out of doors at the
impertinent request of a meddling nobody? Look at the stormy small
capitals of this oatmeal hero, who is supposed to electrify us by the
mere fact of his not being an incredible ass and scoundrel! Does any
sober person think for a moment that a man of genius could have made
this revolting blunder? It is beyond comparison the densest bit of
stupidity in dealing with the emotions I have encountered anywhere.
Anybody but Mr. Crockett can see where the point of the story lies. It
lies in the cool impertinence and heartlessness of his visitors. To
put the emphasis on the rejection of their proposal--to make a point of
_that_--is to insult the reader. Of course it was rejected. How should
it possibly, by any stretch of poltroonery and baseness, be otherwise?
_Ex pede Herculem_. This bedrummed and betrumpeted man of genius
cannot read the A B _ab_ of the human emotions. ‘Here!’ says the subtle
tempter, ‘I’ll give you twopence if you’ll put your baby on the fire!’
The god-like hero thunders: ‘No! He is my flesh and blood. He is the
sacred trust of Heaven. He is innocent, he is helpless. I’ll show you to
the door!’ Oh! what emotions stir within the heart when a master’s hand
awakes a chord like this!
There is, of course, a certain angry pleasure in this necessary work;
but it does not endure, and it is followed rapidly by a reaction of pain
and pity. But we have a right to ask--we have a right to insist--that
undeserved reputations shall not be manufactured for us by any clique.
We have a right to protest when the offence is open and flagrant. Let
it be said, if it be not too late to say it, that Mr. Crockett, if left
alone by his indiscreet admirers, or only puffed within the limits of
the reasonable, might have been regarded as an honest workman as times
go, when everybody, more or less, writes fiction.
Public-domain text, read in full here on John Shaqi.
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