My Contemporaries In FictionMurray, David Christie
History
My Contemporaries In Fiction
Murray, David Christie
English fiction -- 19th century -- History and criticism
Every age has its fashions in literature as it has in dress. All the
beautiful fashions in literature, at least, have been thought worthy of
revival and imitation, but there has come to each in turn a moment when
it has begun to pall upon the fancy. Every school before its death
is fated to inspire satiety and weariness. The more overwhelming its
success has been, the more complete and sweeping is the welcomed change.
We know how the world thrilled and wept over Pamela and Clarissa, and
we know how their particular form of pathos sated the world and died.
We know what a turn enchanted castles had, and how their spell withered
into nothing. We know what a triumphal progress the Sentimental Sufferer
made through the world, and what a bore he came to be. It is success
which kills. Success breeds imitation, and the imitators are a
weariness. And it is not the genius who dies. It is only the school
which arose to mimic him. Richardson is alive for everybody but the
dull and stupid. Now that the world of fiction is no longer crowded with
enchanted castles, we can go to live in one occasionally for a change,
and enjoy ourselves. Werther is our friend again, though the school he
founded was probably the most tiresome the world has seen.
Now, with the solitary exception of Sir Walter Scott, it is probable
that no man ever inspired such a host of imitators as Charles Dickens.
There is not a writer of fiction at this hour, in any land where fiction
is a recognised trade or art, who is not, whether he knows it and owns
it, or no, largely influenced by Dickens. His method has got into the
atmosphere of fiction, as that of all really great writers must do,
and we might as well swear to unmix our oxygen and hydrogen as to stand
clear of his influences. To stand clear of those influences you must
stand apart from all modern thought and sentiment. You must have read
nothing that has been written in the last sixty years, and you must have
been bred on a desert island. Dickens has a living part in the life of
the whole wide world. He is on a hundred thousand magisterial benches
every day. There is not a hospital patient in any country who has not
at this minute a right to thank God that Dickens lived. What his blessed
and bountiful hand has done for the poor and oppressed, and them
that had no helper, no man knows. He made charity and good feeling a
religion. Millions and millions of money have flowed from the coffers of
the rich for the benefit of the poor because of his books. A great part
of our daily life, and a good deal of the best of it, is of his making.
No single man ever made such opportunities for himself. No single man
was ever so widely and permanently useful. No single man ever sowed
gentleness and mercy with so broad a sweep.
Public-domain text, read in full here on John Shaqi.
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