My Contemporaries In FictionMurray, David Christie
History
My Contemporaries In Fiction
Murray, David Christie
English fiction -- 19th century -- History and criticism
It is a refreshment to turn from this particular problem seeker to
the work of a writer like Mrs. Humphry Ward, who, if she invests the
questions she handles with more importance than actually belongs to
them, is as wholesome and sincere as one could ask. She has read both
deeply and widely, she thinks with sanity and clearness, she discerns
character, she can create and tell a story, her style is excellently
succinct and full, and any book from her pen may safely be guaranteed
to fill many charmed and thoughtful hours. She is still a seeker of
problems, and shares the faults of her school, inasmuch as she sets
herself to the solution of themes which all thoughtful people have
solved for themselves at an early age. It would be difficult, perhaps,
to find a better and more salutary stimulant for the mind of a very
young man or woman than ‘Robert Elsmere,’ to cite but one work of hers,
but to the adult intelligence she seems a day behind the fair. She
expends something very like genius in establishing a truth which is only
doubted by here and there a narrow bigot--that truth being that a man
may find himself forced to abandon the bare dogma of religion, and may
yet conserve his faith in the Unseen and his spiritual brotherhood
with men. ‘Robert Elsmere’ is a very beautiful piece of work, and it
is impossible not to respect the ardour which inspires it, and the many
literary excellences by which it is distinguished. But, all the same, it
leaves upon the mind a sense of some futility. It would be easy to
write a story which would prove--if a story can be imagined to prove
anything--the precise opposite of the truth so eloquently preached in
‘Robert Elsmere,’ and the tale might be perfectly true to the experience
of life. There are men who, parting with dogmatic religion, part with
religion altogether, and whose only chance of salvation from themselves
lies in the acceptance of a hard and fast creed. It would be easy
enough, and true enough, to show such a man assailed by doubt,
struggling and succumbing, and then going headlong to the devil. The
thing has happened many a time. Mrs. Humphry Ward shows another kind
of man, and depicts him most ably. Robert Elsmere is even a better
Christian when he has surrendered his creed than he was whilst he held
it, for he has reached to a loftier ideal of life, and he dies as a
martyr to its duties. But the story has the air of being controversial,
and fiction and controversy do not work well together. It is possible to
establish any theory, so far as a single instance will do it, when you
have the manufacture both of facts and of characters in your own hands.
Accept an extreme case. A practised novelist might take in hand the
character of a morose and surly fellow who was generous and expansive in
his cups. So long as the wretch was sober he might be made hateful; half
fill him with whisky, and you gift him with all manner of emotional good
qualities.
Public-domain text, read in full here on John Shaqi.
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