My Contemporaries In FictionMurray, David Christie
History
My Contemporaries In Fiction
Murray, David Christie
English fiction -- 19th century -- History and criticism
Let me try for a minute or two to show why and how he is so very great
a man; and then let me try to point out one or two of the reasons for
which the true reward of greatness has been denied him.
The very first essential to greatness in any pursuit is that a man
should be in earnest in respect to it. You may as well try to kindle
your household fire with pump water as to excite laughter by the
invention of a story which does not seem laughable to yourself, or to
draw real tears by a story conceived whilst your own heart is dry, ‘The
wounded is the wounding heart.’ In Charles Reade’s case this essential
sympathy amounted to a passion. He derided difficulties, but he derided
them after the fashion of the thorough-going enthusiast, and not after
that of the sluggard. He made up his mind to write fiction, and he
practised for years before he printed a line. He assured himself of
methods of selection and of forms of expression. Better equipped by
nature than one in a hundred of those who follow the profession he had
chosen he laboured with a fiery, unresting patience to complete his
armoury, and to perfect himself in the handling of its every weapon. He
read omnivorously, and, throughout his literary lifetime, he made it
his business to collect and to collate, to classify and to catalogue,
innumerable fragments of character, of history, of current news, of
evanescent yet vital stuffs of all sorts. In the last year but one of
his life he went with me over some of the stupendous volumes he had
built in this way. The vast books remain as an illustration of his
industry, but only one who has seen him in consultation with their pages
can guess the accuracy and intimacy of his knowledge of their contents.
They seem to deal with everything, and with whatever they enclosed he
was familiar.
This encyclopaedic industry would have left a commonplace man
commonplace, and in the estimate of a great man’s genius it takes rank
merely as a characteristic. His sympathy for his chosen craft was backed
by a sympathy for humanity just as intense and impassioned. He was a
glorious lover and hater of lovable and hateful things.
In one respect he was almost unique amongst men, for he united a savage
detestation of wrong with a most minute accuracy in his judgment of its
extent and quality. He laboured in the investigation of the problems
of his own age with the cold diligence of an antiquary. He came to a
conclusion with the calm of a great judge. And when his cause was sure
he threw himself upon it with an extraordinary and sustained energy. The
rage of his advocacy is in surprising contrast with the patience exerted
in building up his case.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account