My Days of Adventure: The Fall of France, 1870-71Vizetelly, Ernest Alfred
History
My Days of Adventure: The Fall of France, 1870-71
Vizetelly, Ernest Alfred
Franco-Prussian War, 1870-1871 -- Personal narratives
Having generations of printers' ink mingled with my blood, I could not
escape the unkind fate which made me a writer of articles and books.
In conjunction with a chum named Clement Ireland I ran a manuscript school
journal, which included stories of pirates and highwaymen, illustrated
with lurid designs in which red ink was plentifully employed in order to
picture the gore which flowed so freely through the various tales.
My grandmother Vaughan was an inveterate reader of the _London Journal_
and the _Family Herald_, and whenever I went home for my holidays I used
to pounce upon those journals and devour some of the stories of the author
of "Minnegrey," as well as Miss Braddon's "Aurora Floyd" and "Henry
Dunbar." The perusal of books by Ainsworth, Scott, Lever, Marryat, James
Grant, G. P. R. James, Dumas, and Whyte Melville gave me additional
material for storytelling; and so, concocting wonderful blends of all
sorts of fiction, I spun many a yarn to my schoolfellows in the dormitory
in which I slept--yarns which were sometimes supplied in instalments,
being kept up for a week or longer.
My summer holidays were usually spent in the country, but at other times I
went to London, and was treated to interesting sights. At Kensington, in
my earlier years, I often saw Queen Victoria and the Prince Consort with
their children, notably the Princess Royal (Empress Frederick) and the
Prince of Wales (Edward VII). When the last-named married the "Sea-King's
daughter from over the sea"--since then our admired and gracious Queen
Alexandra--and they drove together through the crowded streets of London
on their way to Windsor, I came specially from Eastbourne to witness that
triumphal progress, and even now I can picture the young prince with his
round chubby face and little side-whiskers, and the vision of almost
tearfully-smiling beauty, in blue and white, which swept past my eager
boyish eyes.
During the Easter holidays of 1864 Garibaldi came to England. My uncle,
Frank Vizetelly, was the chief war-artist of that period, the predecessor,
in fact, of the late Melton Prior. He knew Garibaldi well, having first
met him during the war of 1859, and having subsequently accompanied him
during his campaign through Sicily and then on to Naples--afterwards,
moreover, staying with him at Caprera. And so my uncle carried me and his
son, my cousin Albert, to Stafford House (where he had the _entree_), and
the grave-looking Liberator patted us on the head, called us his children,
and at Frank Vizetelly's request gave us photographs of himself. I then
little imagined that I should next see him in France, at the close of the
war with Germany, during a part of which my brother Edward acted as one of
his orderly officers.
Public-domain text, read in full here on John Shaqi.
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