"I was met at the station (called in America the depot) by a member
of the Municipal Council driving his own motor car. After giving me an
excellent cigar, he proceeded to drive me about the town, to various
points of interest, including the municipal abattoir, where he gave me
another excellent cigar, the Carnegie public library, the First National
Bank (the courteous manager of which gave me an excellent cigar) and
the Second Congregational Church where I had the pleasure of meeting the
pastor. The pastor, who appeared a man of breadth and culture, gave me
another cigar. In the evening a dinner, admirably cooked and excellently
served, was tendered to me at a leading hotel." And of course he took
it. After which his statement that he carried away from the town a
feeling of optimism explains itself: he had four cigars, the dinner, and
half a page of impressions at twenty cents a word.
Nor is it only by the theft of impressions that we suffer at the hands
of these English discoverers of America. It is a part of the system also
that we have to submit to being lectured to by our talented visitors. It
is now quite understood that as soon as an English literary man finishes
a book he is rushed across to America to tell the people of the United
States and Canada all about it, and how he came to write it. At home, in
his own country, they don't care how he came to write it. He's written
it and that's enough. But in America it is different. One month after
the distinguished author's book on The Boyhood of Botticelli has
appeared in London, he is seen to land in New York very quietly out of
one of the back portholes of the Olympic. That same afternoon you will
find him in an armchair in one of the big hotels giving off impressions
of America to a group of reporters. After which notices appear in
all the papers to the effect that he will lecture in Carnegie Hall on
"Botticelli the Boy". The audience is assured beforehand. It consists of
all the people who feel that they have to go because they know all about
Botticelli and all the people who feel that they have to go because they
don't know anything about Botticelli. By this means the lecturer is
able to rake the whole country from Montreal to San Francisco
with "Botticelli the Boy". Then he turns round, labels his lecture
"Botticelli the Man", and rakes it all back again. All the way across
the continent and back he emits impressions, estimates of national
character, and surveys of American genius. He sails from New York in a
blaze of publicity, with his cordon of reporters round him, and a month
later publishes his book "America as I Saw It". It is widely read--in
America.
Public-domain text, read in full here on John Shaqi.
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