Duquesnel, who was very kind to me at that time, came to see me a few weeks later, for he had just received a summons from La Foncière, the fire insurance company, whose papers I had refused to sign the day before the catastrophe. The company claimed a heavy sum of money from me for damages done to the house itself. The second storey was almost entirely destroyed, and for many months the whole building had to be propped up. I did not possess the 40,000 francs claimed. Duquesnel offered to give a benefit performance for me, which would, he said, free me from all difficulties. De Chilly was very willing to agree to anything that would be of service to me. The benefit was a wonderful success, thanks to the presence of the adorable Adelina Patti. The young singer, who was then the Marquise de Caux, had never before sung at a benefit performance, and it was Arthur Meyer who brought me the news that “La Patti” was going to sing for me. Her husband came during the afternoon to tell me how glad she was of this opportunity of proving to me her sympathy. As soon as the “fairy bird” was announced, every seat in the house was promptly taken at prices which were higher than those originally fixed. She had no reason to regret her friendly action, for never was any triumph more complete. The students greeted her with three cheers as she came on the stage. She was a little surprised at this noise of bravos in rhythm. I can see her now coming forward, her two little feet encased in pink satin. She was like a bird hesitating as to whether it would fly or remain on the ground. She looked so pretty, so smiling, and when she trilled out the gem-like notes of her wonderful voice the whole house was delirious with excitement. Every one sprang up, and the students stood on their seats, waved their hats and handkerchiefs, nodded their young heads in their feverish enthusiasm for art, and “encored” with intonations of the most touching supplication. The divine singer then began again, and three times over she had to sing the Cavatina from _Il Barbière de Seville_, “_Una voce poco fa_.” I thanked her affectionately afterwards, and she left the theatre escorted by the students, who followed her carriage for a long way, shouting over and over again, “Long live Adelina Patti!” Thanks to that evening’s performance I was able to pay the insurance company. I was ruined all the same, or very nearly so.