My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
As for poor Talien, who was playing Don Guritan, he made a hash of it
every minute. His comprehension of the _rôle_ was quite erroneous.
Victor Hugo explained it to him clearly and intelligently. Talien was a
well-intentioned comedian, a hard worker, always conscientious, but as
stupid as a goose. What he did not understand at first he never
understood. As long as he lived he would never understand. But, as he
was straightforward and loyal, he put himself into the hands of the
author, and gave himself up then in complete abnegation. “That is not as
I understood it,” he would say, “but I will do as you tell me.”
He would then rehearse, word by word and gesture by gesture, with the
inflexions and movements required. This got on my nerves in the most
painful way, and was a cruel blow dealt at the solidarity of my artistic
pride. I often took this poor Talien aside and tried to urge him on to
rebellion, but it was all in vain.
He was tall, and his arms were too long, and his eyes tired; his nose
was weary with having grown too long, and it sank over his lips in
heartrending dejection. His forehead was covered with thick hair, and
his chin seemed to be running away in a hurry from his ill-built face. A
great kindliness was diffused all over his being, and this kindliness
was his very self. Every one was therefore infinitely fond of him.
XXI
A MEMORABLE SUPPER
January 26, 1872, was an artistic _fête_ for the Odéon. The _Tout-Paris_
of first nights and the vibrating younger elements were to meet in the
large, solemn, dusty theatre. Ah, what a splendid, stirring performance
it was! What a triumph for Geffroy, pale, sinister, and severe-looking
in his black costume as Don Salluste. Mélingue rather disappointed the
public as Don César de Bazan, and the public was in the wrong. The
_rôle_ of Don César de Bazan is a treacherously good _rôle_, which
always tempts artists by the brilliancy of the first act; but the fourth
act, which belongs entirely to him, is distressingly heavy and useless.
It might be taken out of the piece, just like a periwinkle out of its
shell, and the piece would be none the less clear and complete.
This 26th of January rent asunder, though, for me the thin veil which
still made my future hazy, and I felt that I was destined for celebrity.
Until that day I had remained the students’ little fairy. I became then
the Elect of the public.
Public-domain text, read in full here on John Shaqi.
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