My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
The agents, who had bought two hundred thousand francs’ worth of tickets
beforehand, also refused to regard the affair as binding on them if we
did not go. Mayer came to see me in profound despair, and told me all
about it.
“We shall have to break our contract with the Comédie if you don’t
come,” he said, “for the business cannot go through.”
Frightened at the consequences of my bad temper, I ran to see Perrin,
and told him that after the consultation I had just had with Mayer I
understood the involuntary injury I should be causing to the Théâtre
Français and to my comrades, and I told him I was ready to go under any
conditions.
The committee was holding a meeting. Perrin asked me to wait, and
shortly after he came back to me. Croizette and I had been appointed
Sociétaires with one entire share in the profits each, not only for
London, but for always.
Everybody had done their duty. Perrin, very much touched, took both my
hands and drew me to him.
“Oh, the good and untamable little creature!”
We embraced, and peace was again concluded between us. But it could not
last long, for five days after this reconciliation, about nine o’clock
in the evening, M. Perrin was announced at my house. I had some friends
to dinner, so I went to receive him in the hall. He held out to me a
paper.
“Read that,” said he.
And I read in an English newspaper, the _Times_, this paragraph:
DRAWING-ROOM COMEDIES OF MLLE. SARAH BERNHARDT, UNDER THE MANAGEMENT
OF SIR JULIUS BENEDICT.—“The _répertoire_ of Mlle. Sarah Bernhardt is
composed of comedies, proverbs, one-act plays, and monologues, written
specially for her and one or two artistes of the Comédie Française.
These comedies are played without accessories or scenery, and can be
adapted both in London and Paris to the _matinées_ and _soirées_ of
the best society. For all details and conditions please communicate
with Mr. Jarrett (secretary of Mlle. Sarah Bernhardt) at Her Majesty’s
Theatre.”
As I was reading the last lines it dawned on me that Jarrett, learning
that I was certainly coming to London, had begun to advertise me. I
explained this frankly to Perrin.
“What objection is there,” I said, “to my making use of my evenings to
earn money? This business has been proposed to me.”
“I am not complaining—it’s the committee.”
“That is too bad!” I cried, and calling for my secretary, I said, “Give
me Delaunay’s letter that I gave you yesterday.”
He brought it out of one of his numerous pockets and gave it to Perrin
to read.
“Would you care to come and play _La Nuit d’Octobre_ at Lady Dudley’s on
Thursday, June 5? We are offered 5000 francs for us two. Kind
regards.—DELAUNAY.”
“Let me have this letter,” said the manager, visibly annoyed.
“No, I will not. But you may tell Delaunay that I spoke to you about his
offer.”
Public-domain text, read in full here on John Shaqi.
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