My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
For the next two or three days nothing was talked of in Paris but the
scandalous notice in the _Times_. The French were then almost entirely
ignorant of the habits and customs of the English. At last all this talk
annoyed me, and I begged Perrin to try and stop it, and the next day the
following appeared in the _National_ (May 29): “_Much Ado about
Nothing._—In friendly discussion it has been decided that outside the
rehearsals and the performances of the Comédie Française each artiste is
free to employ his time as he sees fit. There is therefore absolutely no
truth at all in the pretended quarrel between the Comédie Française and
Mlle. Sarah Bernhardt. This artiste has only acted strictly within her
rights, which nobody attempts to limit, and all our artistes intend to
benefit in the same manner. The manager of the Comédie Française asks
only that the artistes who form this company do not give performances in
a body.”
This article came from the Comédie, and the members of the committee had
taken advantage of it to advertise themselves a little, announcing that
they also were ready to play in drawing-rooms, for the article was sent
to Mayer with a request that it should appear in the English papers. It
was Mayer himself who told me this.
All disputes being at an end, we commenced our preparations for
departure.
I had been but once on the sea when it was decided that the artistes of
the Comédie Française should go to London. The determined ignorance of
the French with regard to all things foreign was much more pronounced in
those days than it is at present. Therefore I had a very warm cloak
made, as I had been assured that the crossing was icy cold even in the
very middle of summer, and I believed this. On every side I was besieged
with lozenges for sea-sickness, sedatives for headache, tissue paper to
put down my back, little compress plasters to put on my diaphragm, and
waterproof cork soles for my shoes, for it appeared that above all
things I must not have cold feet. Oh, how droll and amusing it all was!
I took everything, paid attention to all the recommendations, and
believed everything I was told.
The most inconceivable thing of all, though, was the arrival, five
minutes before the boat started, of an enormous wooden case. It was very
light, and was held by a tall young man, who to-day is a most remarkable
individual, possessing all orders and honours, a colossal fortune, and
the most outrageous vanity. At that time he was a timid inventor, young,
poor, and sad: he was always buried in books which treated of abstract
questions, whilst of life he knew absolutely nothing. He had a great
admiration for me, mingled with a trifle of awe. My little court had
surnamed him “La Quenelle.” He was long, vacillating, colourless, and
really did resemble the thin roll of forcemeat in a _vol-au-vent_.
Public-domain text, read in full here on John Shaqi.
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