My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
Some of my friends advised me to take no notice of all these turpitudes,
assuring me that the public could not possibly believe them. They were
mistaken, though, for the public likes to believe bad things about any
one, as these are always more amusing than the good things. I soon had a
proof that the English public was beginning to believe what the French
papers said. I received a letter from a tailor asking me if I would
consent to wear a coat of his make when I appeared in masculine attire,
and not only did he offer me this coat for nothing, but he was willing
to pay me a hundred pounds if I would wear it. This man was an ill-bred
person, but he was sincere. I received several boxes of cigars, and the
boxing and fencing professors wrote to offer their services
gratuitously. All this annoyed me to such a degree that I resolved to
put an end to it. An article by Albert Wolff in the Paris _Figaro_
caused me to take steps to cut matters short.
This is what I wrote in reply to the article in the _Figaro_, June 27,
1879:
“ALBERT WOLFF, _Figaro_, Paris.
“And you, too, my dear Monsieur Wolff—you believe in such insanities?
Who can have been giving you such false information? Yes, you are my
friend, though, for in spite of all the infamies you have been told,
you have still a little indulgence left. Well then, I give you my word
of honour that I have never dressed as a man here in London. I did not
even bring my sculptor costume with me. I give the most emphatic
denial to this misrepresentation. I only went once to the exhibition
which I organised, and that was on the opening day, for which I had
only sent out a few private invitations, so that no one paid a
shilling to see me. It is true that I have accepted some private
engagements to act, but you know that I am one of the least
remunerated members of the Comédie Française. I certainly have the
right, therefore, to try to make up the difference. I have ten
pictures and eight pieces of sculpture on exhibition. That, too, is
quite true, but as I brought them over here to sell, really I must
show them. As to the respect due to the House of Molière, dear
Monsieur Wolff, I lay claim to keeping that in mind more than any one
else, for I am absolutely incapable of inventing such calumnies for
the sake of slaying one of its standard-bearers. And now, if the
stupidities invented about me have annoyed the Parisians, and if they
have decided to receive me ungraciously on my return, I do not wish
any one to be guilty of such baseness on my account, so I will send in
my resignation to the Comédie Française. If the London public is tired
of all this fuss and should be inclined to show me ill-will instead of
the indulgence hitherto accorded me, I shall ask the Comédie to allow
me to leave England, in order to spare our company the annoyance of
seeing one of its members hooted at and hissed. I am sending you this
Public-domain text, read in full here on John Shaqi.
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