My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
letter by wire, as the consideration I have for public opinion gives
me the right to commit this little folly, and I beg you, dear Monsieur
Wolff, to accord to my letter the same honour as you did to the
calumnies of my enemies.—With very kind regards,
“Yours sincerely,
“SARAH BERNHARDT.”
This telegram caused much ink to flow. Whilst treating me as a spoiled
child, people generally agreed that I was quite right. The Comédie was
most amiable. Perrin, the manager, wrote me an affectionate letter
begging me to give up my idea of leaving the company. The women were
most friendly. Croizette came to see me, and putting her arms round me,
said, “Tell me you won’t do such a thing, my dear, foolish child! You
won’t really send in your resignation? In the first place; it would not
be accepted, I can answer for that!”
Mounet-Sully talked to me of art and of probity. His whole speech
savoured of Protestantism. There are several Protestant pastors in his
family, and this influenced him unconsciously. Delaunay, surnamed Father
Candour, came solemnly to inform me of the bad impression my telegram
had made. He told me that the Comédie Française was a Ministry; that
there was the Minister, the secretary, the sub-chiefs and the
_employés_, and that each one must conform to the rules and bring in his
share either of talent or work, and so on and so on. I saw Coquelin at
the theatre in the evening. He came to me with outstretched hands.
“You know I can’t compliment you,” he said, “on your rash action, but
with good luck we shall make you change your mind. When one has the good
fortune and the honour of belonging to the Comédie Française, one must
remain there until the end of one’s career.”
Frédéric Febvre pointed out to me that I ought to stay with the Comédie,
because it would save money for me, and I was quite incapable of doing
that myself.
“Believe me,” he said, “when we are with the Comédie we must not leave;
it means our bread provided for us later on.”
Got, our _doyen_, then approached me.
“Do you know what you are doing in sending in your resignation?” he
asked.
“No,” I replied.
“Deserting.”
“You are mistaken,” I answered; “I am not deserting: I am changing
barracks.”
Others then came to me, and they all gave me advice tinged by their own
personality: Mounet as a seer or believer; Delaunay prompted by his
bureaucratic soul; Coquelin as a politician blaming another person’s
ideas, but extolling them later on and putting them into practice for
his own profit; Febvre, a lover of respectability; Got, as a selfish old
growler understanding nothing but the orders of the powers that be and
advancement as ordained on hierarchical lines. Worms said to me in his
melancholy way:
“Will they be better towards you elsewhere?”
Public-domain text, read in full here on John Shaqi.
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