My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
Worms had the most dreamy soul and the most frank, straightforward
character of any member of our illustrious company. I liked him
immensely.
We were about to return to Paris, and I wanted to forget all these
things for a time. I was in a hesitating mood. I postponed taking a
definite decision. The stir that had been made about me, the good that
had been said in my favour and the bad things written against me—all
this combined had created in the artistic world an atmosphere of battle.
When on the point of leaving for Paris some of my friends felt very
anxious about the reception which I should get there.
The public is very much mistaken in imagining that the agitation made
about celebrated artistes is in reality instigated by the persons
concerned, and that they do it purposely. Irritated at seeing the same
name constantly appearing on every occasion, the public declares that
the artiste who is being either slandered or pampered is an ardent lover
of publicity. Alas! three times over alas! We are victims of the said
advertisement. Those who know the joys and miseries of celebrity when
they have passed the age of forty know how to defend themselves. They
are at the beginning of a series of small worries, thunderbolts hidden
under flowers, but they know how to hold in check that monster
advertisement. It is a sort of octopus with innumerable tentacles. It
throws out on the right and on the left, in front and behind, its clammy
arms, and gathers in through its thousand little inhaling organs all the
gossip and slander and praise afloat, to spit out again at the public
when it is vomiting its black gall. But those who are caught in the
clutches of celebrity at the age of twenty know nothing. I remember that
the first time a reporter came to me I drew myself up straight and was
as red as a cock’s-comb with joy. I was just seventeen years old—I had
been acting in a private house, and had taken the part of Richelieu with
immense success. This gentleman came to call on me at home, and asked me
first one question and then another and then another. I answered and
chattered, and was wild with pride and excitement. He took notes, and I
kept looking at my mother. It seemed to me that I was getting taller. I
had to kiss my mother by way of keeping my composure, and I hid my face
on her shoulder to hide my delight. Finally the gentleman rose, shook
hands with me, and then took his departure. I skipped about in the room
and began to turn round singing, _Trois petits pâtés, ma chemise brûle_,
when suddenly the door opened and the gentleman said to mamma, “Oh,
Madame, I forgot, this is the receipt for the subscription to the
journal. It is a mere nothing, only sixteen francs a year.” Mamma did
not understand at first. As for me, I stood still with my mouth open,
unable to digest my _petits pâtés_. Mamma then paid the sixteen francs,
and in her pity for me, as I was crying by that time, she stroked my
hair gently.
Public-domain text, read in full here on John Shaqi.
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