My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
My eyes filled with tears, and it was through a mist that I saw the
portrait of that young being more precious to me than anything else in
the world, with a few words in his own handwriting. Then there were some
presents from friends—pieces of work from humble admirers. My little
godson of the previous evening was brought to me in a basket, with
oranges, apples, and tangerines all round him. He had a golden star on
his forehead, a star cut out of some gold paper in which chocolate had
been wrapped. My maid Félicie, and Claude her husband, who were most
devoted to me, had prepared some very ingenious little surprises.
Presently there was a knock at my door, and on my calling out “Come in!”
I saw, to my surprise, three sailors carrying a superb bouquet, which
they presented to me in the name of the whole crew.
I was wild with admiration, and wanted to know how they had managed to
keep the flowers in such good condition.
It was an enormous bouquet, but when I took it in my hands I let it fall
to the ground in an uncontrollable fit of laughter. The flowers were all
cut out of vegetables, but so perfectly done that the illusion was
complete at a little distance. Magnificent roses were cut out of
carrots, camellias out of turnips, small radishes had furnished sprays
of rose-buds stuck on to long leeks dyed green, and all these relieved
by carrot leaves artistically arranged to imitate the grassy plants used
for elegant bouquets. The stalks were tied together with a bow of tri-
coloured ribbon. One of the sailors made a very touching little speech
on behalf of his comrades, who wished to thank me for a trifling service
rendered. I shook hands cordially and thanked them heartily, and this
was the signal for a little concert that had been organised in the cabin
of _mon petit Dame_. There had been a private rehearsal with two violins
and a flute, so that for the next hour I was lulled by the most
delightful music, which transported me to my own dear ones, to my home,
which seemed so distant from me at that moment.
This little _fête_, which was almost a domestic one, together with the
music, had evoked the tender and restful side of my life, and the tears
that all this called forth fell without grief, bitterness, or regret. I
wept simply because I was deeply moved, and I was tired, nervous, and
weary, and had a longing for rest and peace. I fell asleep in the midst
of my tears, sighs, and sobs.
XXXIII
ARRIVAL IN NEW YORK—AMERICAN REPORTERS—THE CUSTOM-HOUSE—PERFORMANCES IN
NEW YORK—A VISIT TO EDISON AT MENLO PARK
Public-domain text, read in full here on John Shaqi.
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