My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
I went to sleep, tired in body but rested in mind, and had such
delightful dreams that I was in a good humour the following day. I adore
dreams, and my sad, unhappy days are those which follow dreamless
nights.
My great grief is that I cannot choose my dreams. How many times I have
done all in my power at the end of a happy day to make myself dream a
continuation of it. How many times I have called up the faces of those I
love just before falling asleep; but my thoughts wander and carry me off
elsewhere, and I prefer that a hundred times over to the absolute
negation of thought.
When I am asleep my body has an infinite sense of enjoyment, but it is
torture to me for my thoughts to slumber.
My vital forces rebel against such negation of life. I am quite willing
to die once for all, but I object to slight deaths such as those of
which one has the sensation on dreamless nights. When I awoke my maid
told me that Jarrett was waiting for me to go to the theatre so that the
valuation of my costumes could be terminated. I sent word to Jarrett
that I had seen quite enough of the regiment from the Custom-house, and
I asked him to finish everything without me, as Madame Guérard would be
there. During the next two days the Terrapin, the Seated Cow, and the
Black Band made notes for the Custom-house, took sketches for the papers
and patterns of my dresses for customers. I began to get impatient, as
we ought to have been rehearsing. Finally, I was told on Thursday
morning that the business was over, and that I could not have my trunks
until I had paid twenty-eight thousand francs for duty. I was seized
with such a violent fit of laughing that poor Abbey, who had been
terrified, caught it from me, and even Jarrett showed his cruel teeth.
“My dear Abbey,” I exclaimed, “arrange as you like about it, but I must
make my _début_ on Monday the 8th of November, and to-day is Thursday. I
shall be at the theatre on Monday to dress. See that I have my trunks,
for there was nothing about the Custom-house in my contract. I will pay
half, though, of what you have to give.”
The twenty-eight thousand francs were handed over to an attorney who
made a claim in my name on the Board of Customs. My trunks were left
with me, thanks to this payment, and the rehearsals commenced at Booth’s
Theatre.
On Monday, November 8, at 8.30, the curtain rose for the first
performance of _Adrienne Lecouvreur_. The house was crowded, and the
seats, which had been sold to the highest bidders and then sold by them
again, had fetched exorbitant prices. I was awaited with impatience and
curiosity, but not with any sympathy. There were no young girls present,
as the piece was too immoral. Poor Adrienne Lecouvreur!
The audience was very polite to the artistes of my company, but rather
impatient to see the strange person who had been described to them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account