My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
In the play the curtain falls at the end of the first act without
Adrienne having appeared. A person in the house, very much annoyed,
asked to see Mr. Henry Abbey. “I want my money back,” he said, “as la
Bernhardt is not in every act.” Abbey refused to return the money to the
extraordinary individual, and as the curtain was going up he hurried
back to take possession of his seat again. My appearance was greeted by
several rounds of applause, which I believe had been paid for in advance
by Abbey and Jarrett. I commenced, and the sweetness of my voice in the
fable of the “Two Pigeons” worked the miracle. The whole house this time
burst out into hurrahs. A current of sympathy was established between
the public and myself. Instead of the hysterical skeleton that had been
announced to them, they had before them a very frail-looking creature
with a sweet voice. The fourth act was applauded, and Adrienne’s
rebellion against the Princesse de Bouillon stirred the whole house.
Finally in the fifth act, when the unfortunate artiste is dying,
poisoned by her rival, there was quite a manifestation, and every one
was deeply moved. At the end of the third act all the young men were
sent off by the ladies to find all the musicians they could get
together, and to my surprise and delight on arriving at my hotel a
charming serenade was played for me while I was at supper. The crowd had
assembled under my windows at the Albemarle Hotel, and I was obliged to
go out on to the balcony several times to bow and to thank this public,
which I had been told I should find cold and prejudiced against me. From
the bottom of my heart I also thanked all my detractors and slanderers,
as it was through them that I had had the pleasure of fighting, with the
certainty of conquering. The victory was all the more enjoyable as I had
not dared to hope for it.
I gave twenty-seven performances in New York. The plays were _Adrienne
Lecouvreur_, _Froufrou_, _Hernani_, _La Dame aux Camélias_, _Le Sphinx_,
and _L’Etrangère_. The average receipts were 20,342 francs for each
performance, including _matinées_. The last performance was given on
Saturday, December 4, as a _matinée_, for my company had to leave that
night for Boston, and I had reserved the evening to go to Mr. Edison’s
at Menlo Park, where I had a reception worthy of fairyland.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account