My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
My aunt kissed me and went away, saying she should see me again later
on, and my mother followed her out of the room. Mlle. de Brabender then
hurriedly prepared to leave me. She had to go home to dress and to say
that she would not be in until quite late, for in her convent special
permission had to be obtained when one wished to be out later than ten
at night. When I was alone I swung myself backwards and forwards in my
arm-chair, which, by the way, was anything but a rocking-chair. I began
to think, and for the first time in my life my critical comprehension
came to my aid. And so all these serious people had been inconvenienced,
the notary fetched from Hâvre, my uncle dragged away from working at his
book, the old bachelor M. Meydieu disturbed in his habits and customs,
my godfather kept away from the Stock Exchange, and that aristocratic
and sceptical Duc de Morny cramped up for two hours in the midst of our
_bourgeois_ surroundings, and all to end in this decision, _She shall be
taken to the theatre._ I do not know what part my uncle had played in
this burlesque plan, but I doubt whether it was to his taste. All the
same, I was glad to go to the theatre; it made me feel more important.
That morning on waking up I was quite a child, and now events had taken
place which had transformed me into a young girl. I had been discussed
by every one, and I had expressed my wishes, without any result,
certainly, but all the same I had expressed them, and now it was deemed
necessary to humour and indulge me in order to win me over. They could
not force me into agreeing to what they wanted me to do. My consent was
necessary, and I felt so joyful and so proud about it that I was quite
touched and almost ready to yield. I said to myself that it would be
better to hold my own and let them ask me again.
After dinner we all squeezed into a cab, mamma, my godfather, Mlle. de
Brabender, and I. My godfather made me a present of some white gloves.
On mounting the steps at the Théâtre Français I trod on a lady’s dress.
She turned round and called me a “stupid child.” I moved back hastily,
and came into collision with a very stout old gentleman, who gave me a
rough push forward.
When once we were all installed in a box facing the stage, mamma and I
in the first row, with Mlle. de Brabender behind me, I felt more
reassured. I was close against the partition of the box, and I could
feel Mlle. de Brabender’s sharp knees through the velvet of my chair.
This gave me confidence, and I leaned against the back of the chair
purposely to feel the support of those two knees.
When the curtain slowly rose I thought I should have fainted. It was as
though the curtain of my future life were being raised. These columns
(_Britannicus_ was being played) were to be my palaces, the borders
above were to be my skies, and those boards were to bend under my frail
weight. I heard nothing of _Britannicus_, for I was far, far away, at
Grand-Champs, in my dormitory there.
Public-domain text, read in full here on John Shaqi.
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