My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
“It is for to-morrow, to-morrow!” I exclaimed. “I am to go there to-
morrow! Look—read it!”
My sisters came rushing to me and seized my hands. I danced round with
them, singing, “It’s for to-morrow! It’s for to-morrow!” My younger
sister was eight years old, but I was only six that day. I went upstairs
to the flat above to tell Madame Guérard. She was just soaping her
children’s white frocks and pinafores. She took my face in her hands and
kissed me affectionately. Her two hands were covered with a soapy
lather, and left a snowy patch on each side of my head. I rushed
downstairs again like this, and went noisily into the drawing-room. My
godfather, M. Meydieu, my aunt, and my mother were just beginning a game
of whist. I kissed each of them, leaving a patch of soap-suds on their
faces, at which I laughed heartily. But I was allowed to do anything
that day, for I had become a personage.
The next day, Tuesday, I was to go to the Théâtre Français at one
o’clock to see M. Thierry, who was then director.
What was I to wear? That was the great question. My mother had sent for
the milliner, who arrived with various hats. I chose a white one trimmed
with pale blue, a white _bavolet_ and blue strings. Aunt Rosine had sent
one of her dresses for me, for my mother thought all my frocks were too
childish. Oh, that dress! I shall see it all my life. It was hideous,
cabbage-green, with black velvet put on in a Grecian pattern. I looked
like a monkey in that dress. But I was obliged to wear it. Fortunately,
it was covered by a mantle of black _gros-grain_ stitched all round with
white. It was thought better for me to be dressed like a grown-up
person, and all my clothes were only suitable for a school-girl. Mlle.
de Brabender gave me a handkerchief that she had embroidered, and Madame
Guérard a sunshade. My mother gave me a very pretty turquoise ring.
Dressed up in this way, looking pretty in my white hat, uncomfortable in
my green dress, but comforted by my mantle, I went, the following day,
with Madame Guérard to M. Thierry’s. My aunt lent me her carriage for
the occasion, as she thought it would look better to arrive in a private
carriage. Later on I heard that this arrival in my own carriage, with a
footman, made a very bad impression. What all the theatre people thought
I never cared to consider, and it seems to me that my extreme youth must
really have protected me from all suspicion.
M. Thierry received me very kindly, and made a little nonsensical
speech. He then unfolded a paper which he handed to Madame Guérard,
asking her to read it and then to sign it. This paper was my contract,
and _mon petit Dame_ explained that she was not my mother.
“Ah,” said M. Thierry, getting up, “then will you take it with you and
have it signed by Mademoiselle’s mother?”
Public-domain text, read in full here on John Shaqi.
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