My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
I did not stay there, though, for one of those nothings which change a
whole life changed mine. I had entered the Comédie expecting to remain
there always. I had heard my godfather explain to my mother all about
the various stages of my career.
“The child will have so much during the first five years,” he said, “and
so much afterwards, and then at the end of thirty years she will have
the pension given to Sociétaires—that is, if she ever becomes a
Sociétaire.” He appeared to have his doubts about that.
My sister Régina was the cause (though quite involuntarily this time) of
the drama which made me leave the Comédie. It was Molière’s anniversary,
and all the artistes of the Français salute the bust of the great
writer, according to the tradition of the theatre. It was to be my first
appearance at a “ceremony,” and my little sister, on hearing me tell
about it at home, besought me to take her to it.
My mother gave me permission to do so, and our old Marguerite was to
accompany us. All the members of the Comédie were assembled in the
_foyer_. The men and women, dressed in different costumes, all wore the
famous doctor’s cloak. The signal was given that the ceremony was about
to commence, and every one hurried along the corridor of the busts. I
was holding my little sister’s hand, and just in front of us was the
very fat and very solemn Madame Nathalie. She was a Sociétaire of the
Comédie, old, spiteful, and surly.
Régina, in trying to avoid the train of Marie Roger’s cloak, stepped on
to Nathalie’s, and the latter turned round and gave the child such a
violent push that she was knocked against a column on which was a bust.
Régina screamed out, and as she turned back to me I saw that her pretty
face was bleeding.
“You miserable creature!” I called out to the fat woman, and as she
turned round to reply I slapped her in the face. She proceeded to faint;
there was a great tumult, and an uproar of indignation, approval,
stifled laughter, satisfied revenge, pity for the poor child from those
artistes who were mothers, &c. &c. Two groups were formed, one around
the wretched Nathalie, who was still in her swoon, and the other around
little Régina. And the different aspect of these two groups was rather
strange. Around Nathalie were cold, solemn-looking men and women,
fanning the fat, helpless lump with their handkerchiefs or fans. A young
but severe-looking Sociétaire was sprinkling her with drops of water.
Nathalie, on feeling this, roused up suddenly, put her hands over her
face, and muttered in a far-away voice, “How stupid! You’ll spoil my
make-up!”
Public-domain text, read in full here on John Shaqi.
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