My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
I did not answer, but went out of his office. That very evening I sent
back to M. Thierry the contract bearing his signature, and tore up the
one with that of my mother.
I had left Molière’s Theatre, and was not to re-enter it until twelve
years later.
XII
AT THE GYMNASE THEATRE—A TRIP TO SPAIN
This proceeding of mine was certainly violently decisive, and it
completely upset my home life. I was not happy from this time forth
amongst my own people, as I was continually being blamed for my
violence. Irritating remarks with a double meaning were constantly being
made by my aunt and my little sister. My godfather, whom I had once for
all requested to mind his own business, no longer dared to attack me
openly; but he influenced my mother against me. There was no longer any
peace for me except at Madame Guérard’s, and so I was constantly with
her. I enjoyed helping her in her domestic affairs. She taught me to
make cakes, chocolate, and scrambled eggs. All this gave me something
else to think about, and I soon recovered my gaiety.
One morning there was something very mysterious about my mother. She
kept looking at the clock, and seemed uneasy because my godfather, who
lunched and dined with us every day, had not arrived.
“It’s very strange,” my mother said, “for last night after whist he said
he should be with us this morning before luncheon. It’s very strange
indeed!”
She was usually calm, but she kept coming in and out of the room, and
when Marguerite put her head in at the door to ask whether she should
serve the luncheon, my mother told her to wait.
Finally the bell rang, startling my mother and Jeanne. My little sister
was evidently in the secret.
“Well, it’s settled!” exclaimed my godfather, shaking the snow from his
hat. “Here, read that, you self-willed girl.”
He handed me a letter stamped with the words “Théâtre du Gymnase.” It
was from Montigny, the manager of the theatre, to M. de Gerbois, a
friend of my godfather’s whom I knew very well. The letter was very
friendly, as far as M. de Gerbois was concerned, but it finished with
the following words, “I will engage your _protégée_ in order to be
agreeable to you... but she appears to me to have a vile temper.”
I blushed as I read these lines, and I thought my godfather was wanting
in tact, as he might have given me real delight and avoided hurting my
feelings in this way, but he was the clumsiest-minded man that ever
lived. My mother seemed very much pleased, so I kissed her pretty face
and thanked my godfather. Oh, how I loved kissing that pearly face,
which was always so cool and always slightly dewy. When I was a little
child I used to ask her to play at butterfly on my cheeks with her long
lashes, and she would put her face close to mine and open and shut her
eyes, tickling my cheeks whilst I lay back breathless with delight.
Public-domain text, read in full here on John Shaqi.
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