My First Book:: the experiences of Walter Besant, James Payn, W. Clark Russell, Grant Allen, Hall Caine, George R. Sims, Rudyard Kipling, A. Conan Doyle, M.E. Braddon, F.W. Robinson, H. Rider Haggard, R.M. Ballantyne, I. Zangwill, Morley Roberts, David Christie Murray, Marie Corelli, Jerome K. Jerome, John Strange Winter, Bret Harte, "Q.", Robert Buchanan, Robert Louis Stevenson, with an introduction by Jerome K. Jerome.Various
General
My First Book:: the experiences of Walter Besant, James Payn, W. Clark Russell, Grant Allen, Hall Caine, George R. Sims, Rudyard Kipling, A. Conan Doyle, M.E. Braddon, F.W. Robinson, H. Rider Haggard, R.M. Ballantyne, I. Zangwill, Morley Roberts, David Christie Murray, Marie Corelli, Jerome K. Jerome, John Strange Winter, Bret Harte, "Q.", Robert Buchanan, Robert Louis Stevenson, with an introduction by Jerome K. Jerome.
Various
Authors, English -- Biography; Authorship
Be this as it may, I sent the manuscript of 'The Wreck of the
"Grosvenor"' to my old friend Edward Marston, of the firm of Sampson Low
& Co. The firm offered me fifty pounds for it; I took the money and
signed the agreement, in which I disposed of all rights. Do I murmur
over the recollection of this fifty pounds which, with another ten
pounds kindly sent to me by Mr. Marston as the whole of, or a part of, a
cheque received from Messrs. Harper & Brothers, was all I ever got for
this sea book? Certainly not. The transaction was absolutely fair, and
what leaning there was was in my favour. The book was an experiment; it
was published anonymously; it might have fallen dead. Happily for
publisher and author, the book made its way. I believe it was
immediately successful in America, and that its reception there somewhat
influenced inquiry here. American critics who try to vex me say that my
books never would have been read in this country but for what was said
of them in the States, and for the publicity provided for them there by
the twenty-cent editions. How far this is true I don't know; but
certainly the Yankees are handsomer and prompter in their recognition of
what pleases them than we are on our side. What they like they raise a
great cry over, and the note of so mighty a concourse, I don't doubt,
fetches an echo out of distances below the horizon.
[Illustration: THE 'HOUGOUMONT'[A]]
[Illustration: POOR JACK!]
It is many years now since 'The Wreck of the "Grosvenor"' was written,
and I do not very clearly recollect its reception in this country. I
believe it speedily went into a second edition. But before we talk of an
edition seriously we must first learn the number of copies which make
it. Since this was written, my friend, Mr. R. B. Marston, of the firm of
Sampson Low & Co., has been good enough to look into the sales of 'The
Wreck of the "Grosvenor,"' and he informs me that down to 1891 there had
been sold 34,950 copies. One of the most cordial welcomes the story
received was from _Vanity Fair_. I supposed that the review was written
by the editor, Mr. Thomas Gibson Bowles, until I learnt that the late
Mr. James Runciman was the author. The critics on the whole were
generous. They thought the book fresh. They judged that it was an
original piece of work wrought largely out of the personal experiences
of the writer. One gentleman, indeed, said that he had crossed the
Channel on several occasions between Boulogne and Folkestone, but had
never witnessed such seas as I described; and another that he had
frequently travelled to Plymouth on the Great Western Railway in company
with sailors, but had never met such seamen as the forecastle hands I
depicted. The book is considered my best--this, perhaps, because it was
my first, and its reputation lies in the memory and impression of its
freshness. It is far from being my best. Were it my property I would
re-write it. I had quitted the sea some years when I wrote the story,
Public-domain text, read in full here on John Shaqi.
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