My First Book:: the experiences of Walter Besant, James Payn, W. Clark Russell, Grant Allen, Hall Caine, George R. Sims, Rudyard Kipling, A. Conan Doyle, M.E. Braddon, F.W. Robinson, H. Rider Haggard, R.M. Ballantyne, I. Zangwill, Morley Roberts, David Christie Murray, Marie Corelli, Jerome K. Jerome, John Strange Winter, Bret Harte, "Q.", Robert Buchanan, Robert Louis Stevenson, with an introduction by Jerome K. Jerome.Various
General
My First Book:: the experiences of Walter Besant, James Payn, W. Clark Russell, Grant Allen, Hall Caine, George R. Sims, Rudyard Kipling, A. Conan Doyle, M.E. Braddon, F.W. Robinson, H. Rider Haggard, R.M. Ballantyne, I. Zangwill, Morley Roberts, David Christie Murray, Marie Corelli, Jerome K. Jerome, John Strange Winter, Bret Harte, "Q.", Robert Buchanan, Robert Louis Stevenson, with an introduction by Jerome K. Jerome.
Various
Authors, English -- Biography; Authorship
I cannot follow Mr. Besant with any pitiful story of rejection at the
hands of publishers. If refusal is quite the best thing that can happen
to the candidate for literary honours, my fate has not been favourable.
No tale of mine has yet passed from publishing house to publishing
house. Except the first of the series, my stories have been accepted
before they have been read. In two or three instances they have been
bought before they have been written. It has occurred to me, as to
others, to have two or three publishers offering terms for the same
book. I have even been offered half payment in hand on account of a book
which I could not hope to write for years, and might never write at all.
Thus the most helpful confession which the more or less successful man
of letters can make for the comfort and cheer of his younger and less
fortunate brethren, it is out of my power to offer.
But I reflect that this is true of my literary experiences in the
character of a novelist only. I had an earlier and semi-subterranean
career that was very different. At eighteen I wrote a poem of a mystical
sort, which was printed (not at my own risk) and published under a
pseudonym. Happily, no man will ever identify me behind the romantic
name wherein I hid my own. Only one literary man knew my secret. That
was George Gilfillan, and he is dead. Then at twenty I wrote an
autobiography for another person, and was paid ten pounds for it. These
were really my first books, and I grow quite hot when I think of them.
At five-and-twenty I came up to London with the manuscript of a critical
work, which I had written while at Liverpool. Somebody had recommended
that I should submit it to a certain great publishing house, and I took
it in person. At the door of the office I was told to write my own name,
and the name of the person whom I wished to see, and to state the nature
of my business. I did so, and the boy who took my message brought back
word that I might leave my manuscript for consideration. It seemed to me
that somebody might have seen me for a minute, but I had expected too
much. The manuscript was carefully tied up in brown paper, and so I left
it.
[Illustration: I LEFT IT]
Public-domain text, read in full here on John Shaqi.
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