The Conservatoire is quite as much a social feature as a school of music. It was the thing to do on Sunday afternoon. No invitation was more appreciated, as it was almost impossible to have places unless one was invited by a friend. All the boxes and seats (the hall is small) belong to subscribers and have done so for one or two generations. Many marriages are made there. There are very few theatres in Paris to which girls can be taken, but the Opéra Comique and the Conservatoire are very favourite resorts. When a marriage is pending the young lady, very well dressed (always in the simplest tenue de jeune fille) is taken to the Conservatoire or the Opéra Comique by her father and mother, and very often her grandmother. She sits in front of the box and the young man in the stalls, where he can study his future wife without committing himself. The difference of dress between the jeune fille and the jeune femme is very strongly marked in France. The French girl never wears lace or jewels or feathers or heavy material of any kind, quite unlike her English or American contemporaries, who wear what they like. The wedding-dress is classic, a simple, very long dress of white satin, and generally a tulle veil over the face. When there is a handsome lace veil in the family, the bride sometimes wears it, but no lace on her dress. The first thing the young married woman does is to wear a very long velvet dress with feathers in her hair. I think on the whole the arranged marriages turn out as well as any others. They are generally made by people of the same monde, accustomed to the same way of living, and the fortunes as nearly alike as possible. Everything is calculated. The young couple usually spend the summer with parents or parents-in-law, in the château, and I know some cases where there are curious details about the number of lamps that can be lighted in their rooms, and the use of the carriage on certain days. I am speaking of course of purely French marriages. To my American ideas it seemed very strange when I first came to Europe, but a long residence in a foreign country certainly modifies one's impressions. Years ago, when we were living in Rome, four sisters, before any of us were married, a charming Frenchwoman, Duchesse de B., who came often to the house, was very worried about this family of girls, all very happy at home and contented with their lives. It was quite true we danced and hunted and made a great deal of music, without ever troubling ourselves about the future. The duchesse couldn't understand it, used often to talk to mother very seriously. She came one day with a proposal of marriage--a charming man, a Frenchman, not too young, with a good fortune, a title, and a château, had seen Madam King's daughters in the ballroom and hunting-field, and would very much like to be presented and make his cour. "Which one?" we naturally asked, but the answer was vague. It