John was in a state of mind that perplexed and rather annoyed him. Until
the day before yesterday, his detachment here at Sant' Alessina from
ordinary human society, the absence of people more or less of his own
sort, had been one of the elements of his situation which he had
positively, consciously, rejoiced in,--had been an appreciable part of
what he had summarized to Lady Blanchemain as "the whole blessed thing."
He had his castle, his pictures, his garden, he had the hills and
valley, the birds, the flowers, the clouds, the sun, he had the Rampio,
he had Annunziata, he even had Annunziata's uncle; and with all this he
had a sense of having stepped out of a world that he knew by heart, that
he knew to satiety, a world that was stale and stuffy and threadbare,
with its gilt rubbed off and its colours tarnished, into a world where
everything was fresh and undiscovered and full of savour, a great cool
blue and green world that from minute to minute opened up new
perspectives, made new promises, brought to pass new surprises. And this
sense, in some strange way, included Time as well as space. It was as if
he had entered a new region of Time, as if he had escaped from the
moving current of Time into a stationary moment. Alone here, where
modern things or thoughts had never penetrated, alone with the earth and
the sky, the mediæval castle, the dead ladies, with Annunziata, and the
parroco, and the parroco's Masses and Benedictions--to-day, he would
please himself by fancying, might be a yesterday of long ago that had
somehow dropped out of the calendar and remained, a fragment of the Past
that had been forgotten and left over. The presence of a person of his
own sort, a fellow citizen of his own period, wearing its clothes,
speaking its speech, would have broken the charm, would have seemed as
undesirable and as inappropriate as the introduction of an English
meadow into the Italian landscape.
Public-domain text, read in full here on John Shaqi.
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