Alone, she drew from some recondite fold of her many draperies a letter,
an unsealed letter, which she opened, spread out, and proceeded to read.
It was a long letter in her ladyship's own handsome, high-bred,
old-fashioned handwriting; and it was addressed to Messrs. Farrow,
Bernscot, and Tisdale, Solicitors, Lincoln's Inn Fields, London. She
read it twice through, and at last (with a smile that seemed occult)
restored it to its envelope. "Stop at the Post Office," she said to her
coachman, as they entered Roccadoro; and to her footman, giving him the
letter, "Have that registered, please."
Annunziata lay in wait for John in the garden. She ran up, and seized
him by the arm. Then, skipping beside him, as he walked on, "Who was
she? Where did she come from? Where did she take you? Whom was the
telegram from?" she demanded in a breath, nestling her curls against his
coat-sleeve.
"_Piano, piano_," remonstrated John. "One question at a time. Now, begin
again."
"Whom was the telegram from?" she obeyed, beginning at the end.
"Ah," said he, "the telegram was from _my_ friend Prospero. He's coming
here to-morrow. We must ask your uncle whether he can give him a bed."
"And the old lady?" pursued Annunziata. "Who was she?"
"The old lady was my fairy godmother," said John, building better than
he knew.
PART FOURTH
I
Pacing together backwards and forwards, as they talked, John and his
friend Winthorpe presented a striking and perhaps interesting contrast.
John was tall, but Winthorpe seemed a good deal taller--though, (trifles
in these matters looming so large), had actual measurements been taken,
I dare say half an inch would have covered the difference. John was lean
and sinewy, but rounded off at the joints, and of a pliant carriage, so
that it never occurred to you to think of him as _thin_. Winthorpe's
spare figure, spare and angular, with its greater height, held
unswervingly to the plane of the perpendicular, appeared absolutely to
be constructed of nothing but bone and tendon. John's head, with its
yellow hair, its curly beard verging towards red, its pink skin, and
blue eyes full of laughter, might have served a painter as a model for
the head of Mirth. Winthorpe's,--with brown hair cropped close, and
showing the white of the scalp; clean-shaven, but of a steely tint where
the razor had passed; with a marked jaw-bone and a salient square chin;
with a high-bridged determined nose, and a white forehead rising
vertical over thick black eyebrows, and rather deep-set grey
eyes,--well, clap a steeple-crowned hat upon it, and you could have
posed him for one of his own Puritan ancestors. The very clothes of the
men carried on their unlikeness,--John's loose blue flannels and red
sailor's knot, careless-seeming, but smart in their effect, and showing
him careful in a fashion of his own; Winthorpe's black tie and dark
tweeds, as correct as Savile Row could turn them out, yet somehow, by
Public-domain text, read in full here on John Shaqi.
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