The young man's face, from its altitude of six-feet-something, beamed
responsively down upon her.
"Oh," he laughed, "you mustn't give me too much credit. To be English
nowadays is so ingloriously easy--since foreign lands have become merely
the wider suburbs of London."
Lady Blanchemain's eyes lighted approvingly. Afterwards she looked half
serious.
"True," she discriminated, "London has spread pretty well over the whole
of Europe; but England, thanks be to goodness, still remains mercifully
small."
"Yes," agreed the young man, though with a lilt of dubiety, and a frown
of excogitation, as if he weren't sure that he had quite caught her
drift.
"The mercy of it is," she smilingly pointed out, "that English folk,
decent ones, have no need to fight shy of each other when they meet as
strangers. We all know more or less about each other by hearsay, or
about each other's people; and we're all pretty sure to have some common
acquaintances. The smallness of England makes for sociability and
confidence."
"It ought to, one would think," the young man admitted. "But does it, in
fact? It had somehow got stuck in my head that English folk, meeting as
strangers, were rather apt to glare. We're most of us in such a funk,
you see, lest, if we treat a stranger with civility, he should turn out
not to be a duke."
"Oh," cried Lady Blanchemain, with merriment, "you forget that I said
_decent_. I meant, of course, folk who _are_ dukes. We're all dukes--or
bagmen."
The young man chuckled; but in a minute he pulled a long face, and made
big, ominous eyes.
"I feel I ought to warn you," he said in a portentous voice, "that some
of us are mere marquises--of the house of Carabas."
Lady Blanchemain, her whole expansive person, simmered with enjoyment.
"Bless you," she cried, "those are the ducalest, for marquises--of the
house of Carabas--are men of dash and spirit, born to bear everything
before them, and to marry the King's daughter."
With that, she had a moment of abstraction. Again, her eyeglass up, she
glanced round the walls--hung, in this octagonal room, with dim-coloured
portraits of women, all in wonderful toilets, with wonderful hair and
head-gear, all wonderfully young and pleased with things, and all four
centuries dead. They caused her a little feeling of uneasiness, they
were so dead and silent, and yet somehow, in their fixed postures, with
their unblinking eyes, their unvarying smiles, so--as it seemed to
her--so watchful, so intent; and it was a relief to turn from them to
the window, to the picture framed by the window of warm, breathing,
heedless nature. But all the while, in her interior mind, she was busy
with the man before her. "He looks," she considered, "tall as he is, and
with his radiant blondeur--with the gold in his hair and beard, and the
sea-blue in his eyes--he looks like a hero out of some old Norse saga.
He looks like-what's his name?--like Odin. I must really compel him to
explain himself."
Public-domain text, read in full here on John Shaqi.
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