There was nothing to show the turning to Mestre, except a small tablet that we might easily have missed; and the road was laughably narrow, running along a causeway with a deep ditch on either hand. Aunt Kathryn was so afraid that a horse would come round one of the sharp bends walking on its hind legs, that she was miserable, but I trusted Mr. Barrymore and enjoyed the country--real country now, with no more palaces, villas, or beautiful arcaded farmhouses. The distance was hidden by long, waving grasses, over which the blue line of the Corinthian Alps seemed to hover like a cloud. There was a pungent smell of salt and of seaweed in the air, that meant the nearness of the lagoon--and Venice. Then, suddenly, the "something" Mr. Barrymore had told us to look for, grew out of the horizon--dim and mysterious, yet not to be mistaken; hyacinth-blue streaks that were pinnacles and campanili, bubbles that were domes, floating between the gold of the sunset and the grey-green of the tall grass, for no water was visible yet. "Venice!" I whispered; but though Beechy and Aunt Kathryn each cried: "Oh, there it is! _I_ saw it first!" they were so absorbed in a discussion as to what the Prince's friends ought to be called, and they soon lost interest in the vision. "Conte! It's like Condy's Fluid!" said Beechy. "I won't call him 'Conte.' I should laugh in his face. If plain Count isn't good enough for him, and Countess for her, I shall just say 'You'--so there!" Soon we saw a great star-shaped fortress as we ran into a town, which was Mestre; and at the same time we lost shadow-Venice. Passing a charming villa set back behind an avenue of cypresses and plane trees that gave an effect of dappling moonlight even in full day, some one in the tall gateway waved his hand. "By Jove, it's Leo Bari, the artist!" exclaimed Sir Ralph. "I forgot his people lived here. I know him well; he comes to the Riviera to paint. Do slow down, Terry." So "Terry" slowed down, and a handsome, slim young man ran up, greeting Sir Ralph gaily in English. He was introduced to us, and his sister, a lovely Italian girl with Titian hair, was invited to leave the becoming background of the gateway to make our acquaintance. They were interested in the details of our tour, especially when they heard that, after a week in Venice, we were going into Dalmatia. "Why, I'm going down to Ragusa to paint," said he. "I've been before, but this time I take my sister Beatrice. She paints too. We go by the Austrian Lloyd to-morrow. Perhaps we see you there?" "Have you ever been down as far as Cattaro?" asked Aunt Kathryn, from whose tongue the names of Dalmatian towns fall trippingly, since she "acquired" a castle and a title there. "Oh, yes, and to Montenegro," replied the artist. "And do you remember the houses of the neighbourhood?" went on Aunt Kathryn.