My Friend the ChauffeurWilliamson, C. N. (Charles Norris)
General
My Friend the Chauffeur
Williamson, C. N. (Charles Norris)
Automobiles -- Fiction; Europe -- Fiction; Voyages and travels -- Fiction
"It is already but two years I was there, so a house would have to be
young for me not to remember," replied the young man, unconscious of the
funny little twist of his English.
"I am thinking of a very old house; Slosh--er--the Castle of Hrvoya.
Have you seen it?"
"Ah, that old ruin!" exclaimed the artist. "I seen it, yes. But there is
not more much Schloss Hrvoya to see, only the rock for it to stand."
Poor Aunt Kathryn! I was sorry for her. But she bore the blow well, and,
after all, it's the title, not the castle for which she cares
most--that, and the right to smear everything with crowns.
"Perhaps I'll ask you to paint Hrvoya for me some day," she said. But
afterwards, when we had bidden the handsome brother and sister _au
revoir_, she remarked that she was afraid Mr. Bari hadn't an artistic
eye.
The good-byes said, we swept through the picturesque town to make up for
lost time, and presently encountered a little electric tram running
seaward on a causeway. We followed over a grass-grown road, and suddenly
found Venice again, so near that we could actually distinguish one
building from another. Beyond a broad stretch of water the dream city
floated on the sea.
"Look; I did this for _you_, so that you would go into Venice in a way
worthy of yourself," the Prince murmured in my ear, when the car had
stopped, joining his which was waiting. He waved his hand towards a
wonderful gondola, with a gesture such as Aladdin's Genie might have
used to indicate the magic palace. The glossy black coat of the
swan-like thing brought out the full value of the rich gold ornaments. A
long piece of drapery trailed into the water behind, and two gondoliers,
like bronze statues dressed in dark blue, crimson, and white, stood up
tall and erect against a background of golden sea and sky.
They helped us in, hat in hand; and not the Chauffeulier's absence nor
the Prince's presence could spoil for me the experience that followed.
Sunk deep in springy cushions, I half sat, half lay, while the bronze
statues swayed against the gold, softly plying their long oars, and
wafting me--_me_--to Venice.
I felt as if I were moving from the wings of a vast theatre onto the
stage to play a heroine's part. Evening bells, chanting a paen to the
sunset, floated across the wide water faint as spirit-chimes, and they
were the _leitmotif_ for my entrance.
"What a shame to be in motoring things!" I said to Beechy. "Women should
have special gondola dresses; I see that already--a different one each
day. I should like to have a deep crimson gown and a pale green
one--lilac too, perhaps, and sunrise-pink, all made picturesquely, not
in any stiff modern way."
Public-domain text, read in full here on John Shaqi.
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