My Friend the ChauffeurWilliamson, C. N. (Charles Norris)
General
My Friend the Chauffeur
Williamson, C. N. (Charles Norris)
Automobiles -- Fiction; Europe -- Fiction; Voyages and travels -- Fiction
Aunt Kathryn was saying, "If I hire a gondolier, I want to get a
singer." As if he were a sewing-machine, or a canary-bird! And Beechy
was complaining that she felt "very funny;" she believed the motion of
the gondola was making her seasick, just as she used to be in her
cradle, when she was too young to protest except by a howl.
It was a relief to my feelings when we turned out of the wide lagoon
into a canal, for then they did at least speak of the scene around them,
asking questions about the tall palaces that walled us in; who lived
here; who lived there; what was the name or history of that?
The odour of seaweed was more pungent, and there was a smell of water
mingling with it too; something like fresh cucumbers, and the roots of
flowers when they have just been pulled out of the earth. I could not
have believed that water could have such clearness and at the same time
hold so many colours, as the water in this, my first canal of Venice. It
was like a greenish mirror, full of lights, and wavering reflected tints
from the crumbling palaces whose old bricks, mellow pink, gold, and
purple, showed like veins through the skin of peeling stucco. Down
underneath the shining mirror, one could see the old marble steps,
leading up to the shut mystery of water gates. There were shimmering
gleams of pearly white and ivory yellow, under beardy trails of moss old
as the marble out of which it grew. And over high walls, delicate
branches of acacia and tamarisk beckoned us, above low-hung drapery of
wistaria, that dropped purple tassels to the lapping water's edge.
So we wound through one narrow, palace-walled Rio after another, until
Venice began to seem like a jewelled net, with its carved precious
stones intricately strung on threads of silver; and then suddenly, to my
surprise, we burst into a great canal.
I saw a bridge, which I knew from many pictures must be the Rialto, but
there was no disappointment, no flatness in the impression of having
seen this all before, for not the greatest genius who ever lived could
paint Venice at her every day best. Palace after palace; and by-and-by a
church with a front carved in ivory by the growing moonlight, thrown up
against a background of rose.
"Palladio, it must be!" I cried.
"Yes; it's San Georgio Maggiore, Terry Barrymore's favourite church in
Venice," said Sir Ralph, who had been almost as silent as I. "And here
we are at the Hotel Britannia."
"Why, it has a garden!" exclaimed Aunt Kathryn. "I never thought of a
garden in Venice."
"There are several of the loveliest in Italy," replied Sir Ralph. "But
the Britannia's the only hotel that has one."
Public-domain text, read in full here on John Shaqi.
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