My Friend the ChauffeurWilliamson, C. N. (Charles Norris)
General
My Friend the Chauffeur
Williamson, C. N. (Charles Norris)
Automobiles -- Fiction; Europe -- Fiction; Voyages and travels -- Fiction
"The costume of your Sisterhood would be pretty in a gondola," Beechy
answered. And again that coldness fell upon me which I always feel at a
reminder, intentional or unintentional, of the future. But the chill was
gone in a moment--lost in the luminous air, which had a strange
brilliancy, as if reflected from a stupendous mirror. I had never seen
anything even remotely resembling it before. It was as though we were
living inside a great opal, like flies in amber. And it seemed that in a
world so wonderful everything one did, or looked, or thought, ought to
be wonderful too, lest it should be out of tune with all surrounding
beauty.
Sea and sky were of one colour, except that the sea appeared to be on
fire underneath its glassy surface. The violet sky was strewn with blown
rose-petals and golden feathers; the tiny waves were of violet ruffled
with rose and gold, and spattered with jewelled sparks which might be
flashes from a Doge's vanished ring.
In the distance, sails of big ships were beaten into gold leaf by the
sinking sun; and nearer, there were other sails bright as flowers--a sea
picture-gallery of Madonnas, of arrow-wounded hearts, of martyred
saints, or bright-robed earthly ladies.
We were rowing straight into the sunset, straight into fairy-land, and I
knew it; but--what would happen when the rose-and-golden glory had
swallowed us up?
The sparkle of the water and air got into my blood, and I felt that it
must be sparkling too, like champagne. I was more alive than I had ever
been when I was on earth; for of course this was not earth--this Venice
to which I was going.
No other road but this water-road could have consoled me for the thought
that there would be no more motoring for a week. And clearly it was a
road of which it was necessary for the gondoliers to know every
oar-length; for it was defined by stakes, standing up out of the lagoon
singly, or gathered into clusters like giant bunches of asparagus.
Turning my back to the arched railway bridge, which accompanied us too
far, I looked only at sky and water, and at Venice rising from the sea.
The tide was running out, the Prince said (among other chatterings,
while I wished everybody woven in a magic spell of silence) and the
gondola made swift progress, rocking lightly like a shell, over the
bright ripples of the lagoon.
The nearer we drew to Venice the more like a vision of enchantment did
the city seem. Not a sound came to us, for the music of the bells had
died. All was still as in a dream--for in dreams, does one ever hear a
sound? I think I never have. And now the gold had faded from the clouds,
leaving them pink and violet, transparent as gauze, through which the
rising moon sifted silver dust. How could the others talk? I did not
understand.
Public-domain text, read in full here on John Shaqi.
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