Racial prejudice was cherished as a virtue in the Old Colonie and the
real, solid Dutch families found it anything but creditable that Van
Der Zee children—we had the honor of being regarded as Van Der Zees in
Beaver street—should be sent to an English school in far off Boston
town. Massachusetts was, to them, an English colony, and the people
there were English, that is to say, foreigners, strangers, and not to
be trusted. However, when it was learned that we were actually going,
and mother set about making the elaborate preparations considered
necessary for so formidable an undertaking, kind friends came in
bringing gifts deemed suitable for the occasion, knitted mittens and
mufflers, pies and cakes, apples and cider, and choice stores of the
cellar and pantry enough to provision a ship for a long cruise. My
nearest boy friend, Gratz Van Rensselaer, gave me his knife. How close
were our relations may be understood from the fact that we had a
private signal, a peculiar whistle of our own which we used to call
each other, as boys are wont to do when on terms of exclusive intimacy.
To quote Mr. Peggotty, “A man can’t say fairer nor that, now, can he?”
When Gratz went down into his pockets and handed me that knife in
solemn silence, I fully realized that he was making a sacrifice on the
altar of friendship. Any critic of this writing will be justified in
objecting that I did not probably formulate the idea in just these
terms, but this is about the size of it, all the same.
Whether my schoolmate ever afterward used our call, I do not know, as
our parting was a finality, but for my part, I took it with me to Brook
Farm where my new mates adopted it forthwith. Later, the elders took it
up, and eventually it became widely known over the face of the earth as
“the Brook Farm call.” It went to California with a young married
couple in the early fifties; to China with one of our boys who became
the Captain of a Pacific steamer; to Spain and to Russia with another
in the United States diplomatic service; to Italy with two girls whose
father was an artist; to the Philippines with students returning to
their home in Manila, and to all quarters where Brook Farmers found
their way, as they seem always to have remembered it.
A peculiarity which may have helped keep it in mind was that it
consisted of two parts, the summons, and the response; the first part
differing slightly from the second, to distinguish friend answering
friend from the stranger merely imitating sounds accidentally or
incidentally heard. Just what the difference was may be learned from
the notation here given.
Public-domain text, read in full here on John Shaqi.
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