Father always remembered that sermon, and referred to it many times in later years. What I remember about it is that it awoke a new sense in my dull mind of what practical Christianity really is. I realized that I had been a selfish, stupid cub; trying my worst to make the worst of everything, while every one else was trying their best to make the best of everything. That was a good ending of what had been a threatening phase of my first experience at Brook Farm. CHAPTER VI. ENTERTAINMENTS Our slide down the Knoll proved very popular, and, with occasional repairs, lasted all winter, making a welcome addition to our outdoor diversions during the season when these were necessarily limited. Living in the open was one of the salutary customs of the community, a custom faithfully followed even in comparatively bad weather. Rain or shine, snow or blow, save only in real storms, every one spent a good many of the twenty-four hours under the broad skies. There was always some work to be done, cutting wood, digging peat—the main reliance for fuel—mending stone walls, and attending to the tree-nurseries. Then for fun, there was coasting, skating, sleigh-riding and taking long tramps over the place or to some distant point of interest. Exposure to the elements seemed to harm no one, and coughs, influenzas and rheumatics were unknown. Withal, however, indoor pleasures took the most prominent place, during the winter months. After the reorganization of the Association as a Phalanx, Mr. John Dwight was the Chief of the Festal Series, and as he was, first of all, a musician, it followed that music formed the principal feature of our entertainments. Vocal and instrumental music was thoroughly taught in the school, and, as nearly all the members of the community were music lovers, and many were singers and players, the place was melodious from morning until night. There was always some new song or perhaps some very old one to be tried, some local composition to be heard, or some preparation for future musical events to enlist attention. Selections from the operas then known and now forgotten, were given in the dining room; parts, with all the characters and choruses, from “Zampa,” “Norma” and the “Caliph of Bagdad” recur to my mind. Two public concerts were given to pay for a new piano, and as the proceeds did not quite fill the bill, we all gave up butter, selling the entire product of the dairy for three months to make up the deficit. That was just like Brook Farm. The most ambitious performance in my time was the rendition of the Oratorio of Saint Paul, which was given twice by request, but this was in the summer when we had ample room and verge enough in the pine-grove amphitheater.