There are some other innovations, begun long before the advent of the Bolsheviki and permitted by them to continue because they have no bearing on the Russian actuality. The Kamerney Theatre registers its revolt against the imposition of the play upon the acting, against the limitation of expression involved in the orthodox interpretation of dramatic art. It achieves noteworthy results by the new mode of acting, complemented by original scenery and music, but mostly in plays of a lighter genre. Another unique attempt is essayed by the Semperante Theatre. It is based on the conception that the written drama checks the growth and diversity of the interpretive artist. Plays should therefore be improvised, thereby affording greater scope to spontaneity, inspiration, and mood of the artist. It is a novel experiment, but as the improvised plays must also keep within the limits of the State censorship, the work of the Semperantists suffers from a lack of ideas. The most interesting cultural endeavour I met in Kiev was the work of the Jewish _Kulturliga_. Its nucleus was organized in 1918 to minister to the needs of pogrom victims. They had to be provided for, sheltered, fed, and clothed. Young Jewish literary men and an able organizer brought the _Kulturliga_ to life. They did not content themselves with ministering only to the physical needs of the unfortunates. They organized children’s homes, public schools, high schools, evening classes; later a seminary and art school were added. When we visited Kiev the _Kulturliga_ owned a printing plant and a studio, besides its other educational institutions, and had succeeded in organizing 230 branches in the Ukraina. At a literary evening and a special performance arranged in honour of the Expedition we were able to witness the extraordinary achievements of the _Kulturliga_. At the literary evening Perez’s poem “The Four Seasons” was rendered by recitative group singing. The effect was striking. Nature at the birth of spring, birds sending forth their joyous song of love, the mystery and romance of mating, the ecstasy of renewing and becoming, the rumbling of the approaching storm, the crash of the mighty giants struck by lightning, rain softly falling, the leaves fluttering to earth, the somberness and pathos of autumn, the last desperate resistance of Nature against death, the trees shrouded in white--all were made vivid and alive by the new form of collective recitative. Every nuance of Nature was brought out by the group of artists on the improvised little stage of the _Kulturliga_.