It took him a year to learn the language of his new country well enough
to be able to join in conversation. Kobold was very sensitive to music,
and sang several little songs himself, though with a strong English
accent. The key-note was given him on the piano, he caught the exact
tone, and in a flute-like and sighing voice warbled passages which were
really musical, and bore no relation whatever to barkings or yelpings.
When we wanted him to begin again it was only necessary to say, “Sing a
little more,” and he at once recommenced the cadence. For a creature
brought up in the most delicate luxury, and with all the care which one
would naturally give to a tenor and a gentleman of distinction, Kobold
had the most singular tastes. He devoured earth like a Digger Indian;
and this habit, of which he could not be cured, brought on a disease of
which he died. He had a strong turn for grooms, horses, and stables in
general, and our ponies had no comrade more devoted than he. In fact, he
may be said to have divided his time between the box-stalls and the
piano.
From Kobold, the King Charles, we pass to Myrza, a small Cuban lap-dog,
who at one time had the honor to belong to Giula Grisi, from whom we
received her as a present. She is white as snow, especially when freshly
washed, and before she has had time to roll in the dust,—a mania which
some dogs share with a certain kind of dusty-winged birds. She is the
gentlest of animals, very demonstrative, and guileless as a dove.
Nothing can be droller than her shaggy head, her face composed of two
eyes as glittering as furniture nails, and a little nose which might
easily be mistaken for a Piedmont truffle. Long locks of hair, as curly
as Astrakan wool, fly about this nose in picturesque confusion,
sometimes getting into one eye, sometimes into the other,—the whole
making up the most whimsical countenance imaginable, as odd and as
unreal as the face of a chameleon.
In Myrza’s case nature has imitated art with such perfection that any
one would be ready to swear that she came straight from the show-case of
a toy-shop. With her blue collar, silver bell, and her hair of the
regulation frizz, she looks exactly like a pasteboard dog; and when she
barks, one instinctively examines her feet to see if there is not a tiny
squeaking-machine fastened under the paws.
Public-domain text, read in full here on John Shaqi.
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