_Third (and last) Letter._--“Another week has passed--and not a word of answer has reached me from your Lordship. It matters little. I have employed the interval in making inquiries, and I have at last discovered the hostile influence which has estranged you from me. I have been, it seems, so unfortunate as to offend Lady Lydiard (how, I cannot imagine); and the all-powerful influence of this noble lady is now used against the struggling artist who is united to you by the sacred ties of kindred. Be it so. I can fight my way upwards, my Lord, as other men have done before me. A day may yet come when the throng of carriages waiting at the door of the fashionable portrait-painter will include her Ladyship’s vehicle, and bring me the tardy expression of her Ladyship’s regret. I refer you, my Lord Lydiard, to that day!” Having read Mr. Tollmidge’s formidable assertions relating to herself for the second time, Lady Lydiard’s meditations came to an abrupt end. She rose, took the letters in both hands to tear them up, hesitated, and threw them back in the cabinet drawer in which she had discovered them, among other papers that had not been arranged since Lord Lydiard’s death. “The idiot!” said her Ladyship, thinking of Mr. Tollmidge, “I never even heard of him, in my husband’s lifetime; I never even knew that he was really related to Lord Lydiard, till I found his letters. What is to be done next?” She looked, as she put that question to herself, at an open newspaper thrown on the table, which announced the death of “that accomplished artist Mr. Tollmidge, related, it is said, to the late well-known connoisseur, Lord Lydiard.” In the next sentence the writer of the obituary notice deplored the destitute condition of Mrs. Tollmidge and her children, “thrown helpless on the mercy of the world.” Lady Lydiard stood by the table with her eyes on those lines, and saw but too plainly the direction in which they pointed--the direction of her check-book. Turning towards the fireplace, she rang the bell. “I can do nothing in this matter,” she thought to herself, “until I know whether the report about Mrs. Tollmidge and her family is to be depended on. Has Moody come back?” she asked, when the servant appeared at the door. “Moody” (otherwise her Ladyship’s steward) had not come back. Lady Lydiard dismissed the subject of the artist’s widow from further consideration until the steward returned, and gave her mind to a question of domestic interest which lay nearer to her heart. Her favorite dog had been ailing for some time past, and no report of him had reached her that morning. She opened a door near the fireplace, which led, through a little corridor hung with rare prints, to her own boudoir. “Isabel!” she called out, “how is Tommie?” A fresh young voice answered from behind the curtain which closed the further end of the corridor, “No better, my Lady.”