And it seems to me that few men have realized, as this man realized,
that "not the fruit of experience, but experience itself, is the end."
He chose his life for himself, and he has lived it, regardless of
anything else in the world. He has desired strange, almost inaccessible
things, and he has attained whatever he has desired. Once, as he was
walking with a friend in the streets of New York, he said suddenly: "Do
you know, I wonder what it is like to chase a man? I know what it is
like to be chased, but to chase a man would be a new sensation." The
other man laughed, and thought no more about it. A week later Flynt came
to him with an official document; he had been appointed a private
detective. He was set on the track of a famous criminal (whom, as it
happened, he had known as a tramp); he made his plans, worked them out
successfully, and the criminal was caught. To have done it was enough:
he had had the sensation; he had no need, at that moment, to do any more
work as a detective. Is there not, in this curiosity in action, this
game mastered and then cast aside, a wonderful promptness, sureness, a
moral quality which is itself success in life?
To desire so much, and what is so human; to make one's life out of the
very fact of living it as one chooses; to create a unique personal
satisfaction out of discontent and curiosity; to be so much oneself in
learning so much from other people: is not this, in its way, an ideal,
and has not this man achieved it? He had the soul and the feet of a
vagabond. He cared passionately for men and women, where they are most
vividly themselves, because they are no longer a part of society. He
wandered across much of the earth, but he did not care for the beauty or
strangeness of what he saw, only for the people. Writing to me once from
Samarcand, he said: "I have seen the tomb of the Prophet Daniel; I have
seen the tomb of Tamerlane." But Tamerlane was nothing to him, the
Prophet Daniel was nothing to him. He mentioned them only because they
would interest me. He was trying to puzzle out and piece together the
psychology of the Persian beggar whom he had left at the corner of the
way.
ARTHUR SYMONS.
FOREWORD
This book explains itself in most ways, I hope, and a prefatory portico
almost seems superfluous. In general, such addenda are distasteful to
me; they look like an apology for what the author has to offer later on.
No portico would be attached to the edifice I have now constructed were
it not that there are two points I want to make clear and have failed to
do so sufficiently to my satisfaction in the narrative proper.
Public-domain text, read in full here on John Shaqi.
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