Authors, German -- 19th century -- Biography; May, Karl Friedrich, 1842-1912
In the end of this volume, I am returning to the beginning, to my
old, dear fable of "Sitara", I had started with. Not much time
will pass, before this fable will be known as the truth, and even
as the most tangible there is. It is the task of the present
century, which has just started, to enable our untrained eyes to
see the great, exalted symbolism of daily life and to bring us to
the bliss giving and uplifting realisation that there are higher
and more undeniable realities than those with which the workdays
and weekdays keep us busy. The sketches I drew and published
shall serve to prepare for this realisation. Therefore, they are
written in a symbolic manner and only have to be interpreted
allegorically, if they are to be understood. One would think that
it is quite amazing that this seems to be so hard for the common
reader. It should not be too much of a hard nut to crack, to
figure out something when reading a parable. When I refer to
Ardistan as the land of the ethically low and Jinnistan as the
land of the high, nobly thinking people, it could not require an
almost academic education to see what I mean when I describe a
journey from Ardistan to Jinnistan. The reader simply has to
transport himself in his imagination from his world of weekdays
into my world of Sundays, and this, I would think, is surely not
harder for him than to leave his workshop every Sunday, in order
to go to church at the sound of the bells.
Just as going to church this way frees a person from earthly
pressures, I want to free the inner part of my readers from the
external pressure by means of my tales. They shall hear bells
ringing. They shall sense and experience how a prisoner feels who
hears the locks clanging, because the day has come when he is
being released. It is is just as easy to understand my books and
to comprehend their contents, as it is easy to interpret this
imprisonment allegorically. I want my readers to stop regarding
life as a merely material existence. This view is a prison for
them, beyond the walls of which they are unable to see, to behold
the sunny, free, wide land. They are prisoners, but I want to
free them. And in seeking to free them, I am freeing myself,
because I am also not free, but rather imprisoned since a long,
long time ago. At that time, when I was living in prison, I was
free. There, I lived protected by the walls. There, everyone
stepping into my cell came with good and honest intentions.
There, nobody was allowed to touch me. There, nobody was allowed
to disturb the development of my inner self. No villain had me in
his power. Whatever I possessed and whatever I obtained was my
sure and inalienable property, until I - - was released, not for a
moment longer! For when I was released, I lost my freedom and my
human rights. What others who only know how to talk in
materialistic terms refer to as freedom has been a prison to me, a
labour camp, a penitentiary, in which I have been languishing by
Public-domain text, read in full here on John Shaqi.
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