Authors, German -- 19th century -- Biography; May, Karl Friedrich, 1842-1912
came, we marched with them to the sound of music and the beating
of the drums, down the mountain at the rifle-house, where our
orphaned wives and mothers stood, to welcome all of us, tall and
small, some of them moved to tears, some laughing with joy.
Why do I tell all of this at such length? Because of the deep
impression it has made upon me. I have to point out the sources
from which the causes of my fate have flown out and joined. The
reason why I never wavered for a single moment in my faith in God,
in spite of everything that happened later, and why even when fate
hurled the rocky tablets of the law at me, I did not lose any part
of my respect for that law, is partially rooted in myself, but
also partially in those small events of my early boyhood, which
all had a more or less marked effect on me. I never forgot those
words of my old, dear cantor, which have not just become flesh and
blood, but also mind and soul for me.
After this excitement, life returned to its calm previous course.
Again, I sewed gloves and went back to school. But father was not
satisfied with this school. I was to learn more that what an
elementary school education had to offer in those days. My voice
developed into a good, resounding, versatile soprano. Therefore,
the cantor took me into the students' choir. Soon, I learnt to
hit every pitch and grew self-confident before an audience. So it
came that I was trusted to sing the solos in church after just a
short time. The congregation was poor; they did not have the
money to buy expensive sheet-music. The cantor had to copy it
manually and I helped him. Wherever this was not appropriate, he
composed himself. And he was a composer! And what a composer!
But he was from the small, unassuming village of Mittelbach, the
son of mortally poor, uneducated parents, he had literally starved
his way through music-school, and before he became teacher and
cantor his only clothes were a blue linen jacket and a pair of
blue linen trousers, he regarded one taler as a fortune, which
could support him for weeks. This poverty had deprived him of his
self-esteem. He did not know how to make his opinions count.
Everything was good enough for him. Being an quite excellent
organist, pianist, and violinist, he could also compose for any
other musical instrument, and he could have swiftly gained fame
and fortune, if he had only possessed more self-confidence and
courage. Everyone knew: Wherever in Saxony and across the border
a new organ was put into service, there cantor Strauch of
Ernstthal was sure to appear, to get acquainted with it and to
seek the opportunity to play it once. This was the only pleasure
he allowed himself. That is because he did not just lack the guts
to seek a higher position than that of cantor in Ernstthal, but
most of all he lacked the permission of his very strict wife
Friederike, who had been a prosperous girl and therefore dominated
Public-domain text, read in full here on John Shaqi.
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